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parody --- seasons --- portraits --- Arcimboldo, Giuseppe
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hofkunst --- schilderkunst --- Rudolf II (Keizer van het Heilige Roomse Rijk) --- 16de eeuw --- 17de eeuw --- Praag
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hofkunst --- Rudolf II (Keizer van het Heilige Roomse Rijk) --- 16de eeuw --- 17de eeuw --- Praag
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tekeningen --- 1540 - 1680 --- 16de eeuw --- 17de eeuw --- Duitsland --- Oostenrijk
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"This volume is the first English-language translation of Die Kunst- und Wunderkammern der Spätrenaissance, Austrian art historian and curator Julius von Schlosser's pioneering interpretation of late Renaissance cabinets of wonder as precursors to the modern museum"
Applied arts. Arts and crafts --- collecting --- cabinets of curiosities [rooms] --- art museums [institutions] --- art collections --- Ferdinand II van Oostenrijk --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Cabinets of curiosities --- Art museums --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Cabinets of wonder --- Curiosities, Cabinets of --- Curiosity cabinets --- Kunst-und Wunderkammern --- Kunstkammern --- Kunstkammers --- Kunstschränke --- Wunderkammern --- Collectors and collecting --- Private collections --- Galleries and museums --- Ferdinand --- Ferdinand, --- Ferdinando, --- Art collections. --- Schlosssammlung Ambras. --- Ambraser Sammlung --- Vienna. --- Austria. --- Kunsthistorisches Museum Wien. --- Sammlungen Schloss Ambras --- Ambraser Schlosssammlung --- Schloss Ambras, Kunsthistorisches Museum --- Kunsthistorisches Museum, Sammlungen Schloss Ambras --- Castello di Ambras (Museum) --- Schloss Ambras Innsbruck (Museum) --- K.K. Ambraser-Sammlung --- Art, Primitive --- collecting curiosities
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The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.
globalization --- art history --- Art --- art theory
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