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Drawing --- drawing [image-making] --- invloed van Italiaanse school --- landscapes [representations] --- Cock, Matthijs
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prints [visual works] --- Callot, Jacques --- Groeninge Museum [Bruges] --- anno 1600-1699
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drawings [visual works] --- Coecke van Aelst, Pieter --- anno 1500-1599
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Drawing --- Graphic arts --- tekenboek --- Bloemaert, Abraham
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drawings [visual works] --- preliminary drawings [drawings] --- drawing [image-making] --- design drawings --- tekenkunst, Nederlanden --- anno 1500-1599 --- anno 1600-1699 --- Flanders
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Recent wetenschappelijk onderzoek biedt nieuwe inzichten in de zestiende- en zeventiende-eeuwse tekenkunst. Deze wetenschappelijke catalogus toont een prachtige selectie van vijftig zestiende- en zeventiende-eeuwse tekeningen uit het prentenkabinet van het Brugse Groeningemuseum. De boeiende werken verschaffen inzicht in de teken- en atelierpraktijk uit die periode. De selectie omvat tekeningen van belangrijke Vlaamse en Nederlandse kunstenaars, onder wie Frans Floris en Govaert Flinck, Italiaanse meesters, zoals Federico Zuccari, en Franse kunstenaars, met name de beroemde Jacques Callot en Pierre Mignard.
Drawing --- drawings [visual works] --- Groeninge Museum [Bruges] --- anno 1500-1799 --- Europe --- Exhibitions --- Dessin --- Catalogues. --- Groeningemuseum (Bruges, Belgique) --- Drawing, European --- History --- Groeningemuseum --- Drawing. --- Dessin. --- oude meesters. --- prentenkabinet. --- tekeningen. --- Europa. --- Brugge. --- Stedelijke Musea Brugge-Prentenkabinet --- oude meesters --- tekeningen --- Europa --- Brugge
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At the end of the 15th century, the underground ruins of Emperor Nero's famous palace were discovered in Rome: the Domus Aurea. The walls were painted with sumptuous symmetrical decorations teeming with a host of bizarre animals and mythical creatures. This was the beginning of a new visual language, which was known as grotesque after the site found in grotto-like ruins. Hans Vredeman de Vries and Cornelis Floris spread the grotesque style with its endless variations through their printed designs. In the 16th century, grotesque ornaments became popular not only in painting and architecture, but also in glass painting, metalsmithing and book printing. Today we still link the term grotesque to the capricious, bizarre, monstrous - but also to the caricatural and laughable. Bosch and Bruegel were the great pioneers of the grotesque in printmaking with their fantastic drolleries. James Ensor, Fred Bervoets, René De Coninck, Carll Cneut and others are part of a long tradition of artists who were, and still are, inspired by the grotesque: both as a concept and as a figural style.
Graphic arts --- prints [visual works] --- grotesques --- Museum Plantin-Moretus (Antwerpen) --- grafiek --- grotesken --- kunsthandel --- lelijkheid --- schoonheid --- Cneut, Carll --- Plantijn, Christoffel --- 76.041.7 --- Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten --- grotesken. --- schoonheid. --- lelijkheid. --- kunsthandel. --- Museum Plantin-Moretus (Antwerpen). --- Cneut, Carll. --- Plantijn, Christoffel. --- Drawing --- Flanders
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A selection of 85 Flemish drawings gives an astonishing and representative overview of the art of drawing in the sixteenth and seventeenth centuries. The publication focusses on the drawings subjects and compositions but also on how and why they were created and why an artist chose specific materials, techniques, formats and even sizes. It provides a framework to allow to see drawings in the functional context for which they were created. Renowned specialists in Flemish drawing discuss rare artworks by famous draughtsmen as Frans Floris, Peter Paul Rubens, Anthony Van Dyck, Jacques Jordaens, Otto van Veen, Jan Fijt but also hidden treasures such as the 10 meters long Panorama of Zeeland by Antoon van den Wijngaerde, a sketchbook of the 12 years old Rubens, recently discovered drawings by Hans Vredeman de Vries, the extremely rare Italy-sketchbooks by the sculptor Pieter Verbruggen and a newly discovered book-illustration design by Rubens for the Plantin Press.
Drawing --- Graphic arts --- drawings [visual works] --- anno 1500-1599 --- anno 1600-1699 --- Flanders --- Drawing, Flemish --- Dessin --- Collectionneurs et collections --- Dessin -- Flandre --- Catalogues d'exposition
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