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Within a context of militarized urban transformation seeking sonic strategies for dealing with alienation, repression and immobility, the importance of understanding and operationalizing sound's affective and disruptive capacities, is quintessential. A situated engagement with affective sonic materiality in urban planning and design research promotes a rethinking of the position and role of sound in urban development and simultaneously becomes an instrument of sonic artistic and critical spatial practice. Through exploratory longitudinal case study focusing on old industrial railway space conversion into greenspace along Brussels line L28, I studied how a decentering of human listening and sonic experience necessitates the planning and design of new sonic (infra-)structures in ways that breaks those confines whilst facilitating the (co-)production of alternative sonic futures emancipated from certain impasses. By connecting the avant-garde work of urban sound researchers and curators to the experiences and practices of young people involved in urban transformation, I aim to set out a path to a sonic vocabulary, methods, tools, and techniques for a relational, performative engagement with sonic matter in planning and design research.
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Jazz --- Experimentele jazz --- 20e eeuw
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Though sound is a central feature within urban life, it still receives little to no attention within processes of urban planning. The main difficulty in integrating sound is that it remains largely immeasurable - decibel levels say little about whether a sound is wanted or not, intrusive or welcome. 'Studio_L28: Sonic Perspectives on Urbanism' hooks into the debate here, experimenting with tools and strategies of observation, mapping, and planning. By mixing research practices from theoretical, professional, and artistic fields, the publication argues for an integration of sound in urban planning that is multifaceted, versatile, and keenly observed.
City planning --- Sound --- City noise --- 711.6 --- 711.61 --- 711.4 --- 711 --- 699.84 --- Cities and towns --- Urban noise --- Noise --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Stadsplanning --- Openbare ruimte --- Stedenbouw --- Stedenbouw (theorie) --- Ruimtelijke ordening --- Akoestiek (architectuur) --- Government policy --- Management --- City sounds --- Villes --- Bruits --- Stedenbouw ; Brussel ; 21ste eeuw --- Stedenbouw ; geluidshinder --- Sociale ecologie ; geluid ; geluidshinder --- Architectuurtheorie ; over ruimte en geluid --- 699.844 --- 711.4(C) --- Geluidsisolatie. Lawaaibestrijding. Akoestiek --- Steden ; vormgeving ; analyse
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ESC is a work of experimental audio-based scholarship combining sound studies, radio history, and environmental criticism. This unique project is a fully open access, fully digital suite of audiographic essays, presented as a ten-part podcast series, combining spoken commentary, clips from classic radio dramas, excerpts from films and television shows, news reports, and the work of contemporary sound artists. A brief written essay on the ESC website provides a helpful introduction and context for this project. ESC takes as its point of departure the CBS Radio adventure series Escape (1947-54). The postwar years saw both a decline in popularity for American radio drama, and the dawn of the Anthropocene era, with human beings emerging as the primary force affecting the earth's systems. Jacob Smith considers Escape's adventure stories from an ecocritical perspective, analyzing the geographic, sociopolitical, and ecological details of the stories to reveal how they are steeped in social and environmental history. The work of contemporary sound artists and field recordists underscores the relevance of sound in these narratives and demonstrates audio's potential as a key medium for scholarship. ESC features recordings by some of the most prominent sound artists working in this area, including Daniel Blinkhorn, Peter Cusak, David Dunn, JLIAT, Christina Kubisch, Francisco LoÌpez, Sally Ann McIntyre, Chris Watson, and Jana Winderen. ESC makes the urgency of our critical ecological moment audible in a new way. The audio essays articulate what it means to live in an Anthropocene era and posit alternative ways of conceptualizing our historical moment. ESC sharpens our ability to listen and respond to our world with greater ecological awareness.
Mass media and the environment. --- Sound recordings --- Radio --- Sound in mass media --- Environmental aspects. --- History --- History. --- Escape (Radio program) --- Mass media --- Telephone, Wireless --- Wireless (Radio) --- Wireless telephone (Early radio) --- Communication and traffic --- Telecommunication --- Telegraph, Wireless --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Environment and mass media
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