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Sculpture on Merseyside.
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ISBN: 0946590982 Year: 1988 Publisher: Liverpool Liverpool : Tate Gallery Publications National Museums & Galleries on Merseyside,

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The Object Sculpture
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ISBN: 1900081636 Year: 2002 Publisher: Leeds Henry Moore Institute


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A guide to sculptors in the Leeds collections
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ISBN: 1900081989 9781900081986 1900081040 9781900081047 Year: 2003 Publisher: Leeds Henry Moore Institute

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Keywords

Sculpture --- art theory --- sculpting --- Caro, Anthony --- Fulton, Hamish --- Kapoor, Anish --- Pasmore, Victor --- King, Philip --- Parker, Cornelia --- Chadwick, Lynn --- Gilbert and George --- Flanagan, Barry --- Epstein, Jacob --- Smith, Bob and Roberta --- Armitage, Kenneth --- Butler, Reginald --- Tucker, William --- Deacon, Richard --- Cragg, Tony --- Dalwood, Hubert --- Creed, Martin --- Gormley, Antony --- Turnbull, William --- Hepworth, Barbara --- Barlow, Phyllida --- Quinn, Marc --- Moore, Henry --- Woodrow, Bill --- Goldsworthy, Andy --- Bayes, Gilbert --- anno 1900-1999 --- Great Britain --- Sculpture, British --- Sculptors --- Escultura --- sculpture [visual works] --- Finlay, Ian Hamilton --- Callan, Jonathan --- Blake, Peter Thomas --- Gabo, Naum --- Cox, Stephen --- Bainbridge, Eric --- Culbert, Bill --- Long, Richard --- Rothschild, Eva --- Meštrovič, Ivan --- Charoux, Siegfried --- Chadwick, Helen --- Langlands & Bell --- Fullard, George --- Clarke, Geoffrey --- Underwood, Leon --- Calder, Alexander --- Colton, Adam --- Meadows, Bernard --- Davey, Grenville --- Cribb, Joseph --- Brown, Ralph --- Borland, Christine --- Pope, Nicholas --- Lim, Kim --- Nash, David --- Adams, Robert --- Belsky, Franta --- Darlington, Frances --- Allington, Edward --- Bradshaw, Laurens Henderson --- Atkinson, Terry --- Cawthra, Hermon --- Copnall Bainbridge, Edward --- Craig-Martin, Michael --- Randall-Page, Peter --- Boden, Neville --- Agar, Eileen --- Henry Moore Institute [Leeds] --- Leeds City Art Gallery --- Copnall, Edward Bainbridge --- Bradshaw, Laurence --- Leeds Museums and Galleries --- King, Phillip --- Leeds Art Gallery


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World War Two : A display of pictures from the collection to mark the 50th anniversary of the outbreak of war in September 1939 (exhibition Liverpool Tate Gallery, 16 september - 19 november 1989).
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ISBN: 1854370286 Year: 1989 Publisher: Liverpool : Tate Gallery,

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Patio and pavilion : the place of sculpture in modern architecture.
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ISBN: 9781905464050 1905464053 Year: 2007 Publisher: London Ridinghouse

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This book examines the relationship between modern sculpture and architecture, an interplay that has laid the ground for the semi-sculptural or semi-architectural works by architects such as Frank Gehry and artists such as Dan Graham. The first half of the book looks at how the addition of sculpture enhanced several architectural projects, including Mies van der Rohe's ... more »Barcelona Pavilion (1929) and Eliel Saarinen's Cranbrook Campus (1934). The second half of the book uses several additional case studies, including Philip Johnson's sculpture court for New York's Museum of Modern Art (1953), to explore what architectural spaces can add to the sculpture they are designed to contain.

Barbara Hepworth.
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ISBN: 1854372254 Year: 2002 Publisher: London : Tate Publishing,

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The pliable plane : the wall as surface in sculpture and architecture, 1945-75
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ISBN: 9781913620844 1913620840 Year: 2022 Publisher: Place of publication unknown Mack

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In The Pliable Plane, curator and historian Penelope Curtis traces the ways sculpture infiltrated architectural thought over the post-war period. Her study identifies the wall as a particular locus of creative thinking – a surface which produces both continuity and separation, and which similarly unites and distinguishes the two disciplines. Surveying a series of walls – carved, cast, applied, imagined, and even conceptual – in such places as bomb shelters, caves, war memorials, and public buildings, Curtis introduces a cast of renowned and lesser-known practitioners who defined the three-dimensional conception of the years 1945 to 1975.With close readings of the work and lives of Henry Moore, Anni Albers, Frederick Kiesler, Jorge Oteiza, and Mary Martin, among others, Curtis’s lucid history encom­passes the developments of wartime production, the discovery of the Lascaux Caves, and the rise of relief art. Turning away from familiar pairings and dichotomies, it considers spaces and surfaces of coalescence and influence. Curtis compels us to understand the wall as support as much as partition, arguing for the centrality of this very pliability to the entwined development of both sculpture and architecture.


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Natural Order: recent European sculpture from the Tate's collection

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New Realities, Art in Western Europe 1945-1968; A changing display from the National Collection from 8 April 1992 for three years; 1 Turning to the Figure, 2 Pursuing Abstraction, 3 Towards a New Aesthetic

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