Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

sculpture [visual works] --- outdoor sculpture --- drawing [image-making] --- space [composition concept] --- Abstract [fine arts style] --- time --- wall pieces --- wood [plant material] --- Hall, Nigel --- Abstract [modern European style]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Lawrence Weiner's art uses language in reference to materials. Language itself is a material and at the same time a means of presentation of his work. Weiner evolved this approach in the context of the Conceptual Art of the late sixties. Yet he does not see his own work as "conceptual." The "space" he works within is the entire cultural context. His works are associated with various different media and forms of presentation: books, posters, videos, films, records, drawings, multiples, installations indoors and outdoors, and more. Since his earliest days as a professional artist Weiner has given written and verbal expression to questions concerning his work and its context. The utterances (statements, interviews, lectures, conference contributions) have been collected together in this publication for the first time, and ordered chronologically. Taken as a whole they afford an insight both into a complex individual biography and into the wider development of art and culture and the challenge that this entails.

Weiner, Lauwrence --- Art --- Beeldende kunsten. --- Weiner, Lawrence. --- Weiner, Lawrence, --- Weiner, Lawrence --- Entretiens. --- Art conceptuel --- Artists --- Conceptual art --- Written works.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Life Portrait, Hannah Höch's last extensive photocollage, was created in 1973. This visual autobiography is the largest collage ever created by the artist. The artist provides rare insights into her work and her personality. She also ironically and poetically comments on the key political, social, and artistic events in her life. Hannah Höch selected 38 sections of the collage. These sections of the collage are complemented by explanatory texts and numerous quotations.

Artists --- Collage --- Art, German --- 7.07 --- Beeldende kunst ; 20ste eeuw ; Hannah Höch --- Dadaïsme --- Dada --- Collages --- Fotocollages --- Kunst ; van vrouwen ; 20ste eeuw --- Hoch, Hannah ; autobiografisch werk --- Kunst en maatschappij --- Kunst en politiek --- Kunst en feminisme --- Hoch, Hannah 1889-1978 (°Gotha, Duitsland) --- Art --- Found objects (Art) --- Handicraft --- Montage --- Art, Modern --- ABR-Stuttgart (Group of artists) --- Bewegung Nurr (Group of artists) --- Blaue Reiter (Group of artists) --- Blaue Vier (Group of artists) --- Die Sieben (Group of artists) --- Ellipse (Group of artists) --- Gruppe Kranich (Group of artists) --- Künstlergruppe Chemnitz --- Neben E1N Ander (Group of artists) --- Pathetiker (Group of artists) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Höch, Hannah, --- collages [visual works] --- collage [technique] --- Höch, Hannah

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Mohr, Jacob,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is the first book about the history, influences, and impact of the 'Werkstatt für Photography'(Photography Workshop) founded by the Berlin photographer Michael Schmidt at the Volkshochschule Kreuzberg in 1976. In the midst of the Cold War, the Werkstatt initiated an artistic 'airlift' to the United States, a democratic field of experimentation beyond the pale of traditional vocational and political-institutional standards. Those same years witnessed the establishment of infrastructures in West Germany that paved the way for the emancipation of photography as an art form. These included 'documenta 6' (1977), the first photo galleries and photography journals, and a number of pathbreaking exhibitions. Berlin, Hanover, and Essen played important roles in that process. All in all, the picture of a medium in transition emerges, a medium that developed an autonomous form of artistic authorship in the field of documentary. This book presents the story of German photography in the 1970s and 1980s, its international ties, its protagonists, and its networks.

Photography, Artistic --- Photography --- fotografie --- twintigste eeuw --- fotografiegeschiedenis --- Duitsland --- Berlijn --- Berlin --- Werkstatt für Photographie --- Adams Robert --- Adler Gosbert --- Arbus Diane --- Baltz Lewis --- Blume Uschi --- Bottländer Wendelin --- Brohm Joachim --- Ciner Tuna --- Clark Larry --- Denkeler Friedhelm --- Deutschmann Thomas --- Eggleston William --- Eilmes Wolfgang --- Fink Larry --- Florschuetz Thomas --- Frank Robert --- Friedlander Lee --- Furuya Seiichi --- Gelpke André --- Görlich Ulrich --- Gossage John --- Graham Paul --- Grossmann André --- Gursky Andreas --- Heinze Volker --- Horlitz Andreas --- Kelm Ursula --- Koenig Wilmar --- Leuner Thomas --- Lüthi Urs --- Maron Kurt Wolfgang --- Mayer Christa --- Nothhelfer Gabriele --- Nothhelfer Helmut --- Ocherbauer Eva Maria --- Ochse Hildegard --- Riebesehl Heinrich --- Schmidt Michael --- Scholz Rittermann Philipp --- Schürmann Wilhelm --- Schulze Eldowy Gundula --- Shore Stephen --- Stamm Hermann --- Voutta Klaus-Peter --- Willmann Manfred --- Wittmar Petra --- Wüst Ulrich --- 77.038 --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Werkstatt für Photographie der VHS Kreuzberg --- Volkshochschule Kreuzberg. --- Werkstatt für Photographie der V.H.S. Kreuzberg --- Exhibitions --- photography [process] --- anno 1970-1979 --- anno 1980-1989 --- Germany