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Deleuze and Performance is an interdisciplinary collection of thirteen new essays that focus on the relationship between the philosophy of Gilles Deleuze and the performing arts.
Theatrical science --- Deleuze, Gilles --- Performing arts --- Philosophy. --- Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل
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"Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Gilles Deleuze's philosophy for theatre and performance. Engaging with a wide range of interdisciplinary practitioners including Goat Island, Butoh, Artaud, John Cage, the Living Theatre, Robert Wilson and Allan Kaprow, as well as with the philosophies of Deleuze and Guattari, Henri Bergson and François Laruelle, the book conceives performance as a way of thinking 'immanence': the open and endlessly creative whole of which all things are a part. Theatres of Immanence builds upon Deleuze's emphasis on immanence, affect, change and movement to provide new approaches to five key topics in theatre and performance: 1) authorship and collaboration, 2) voice and language, 3) animals in performance, 4) audience participation and 5) time or duration. The book provides an accessible introduction to Deleuze's ideas and draws attention to the ethical dimensions of performance, asking: 'what good is theatre, and particularly immanent theatre, anyway?' "--
Performance --- Performing arts --- Philosophy --- Moral and ethical aspects. --- Ethics. --- Philosophy. --- Theater --- General. --- History & Criticism. --- Criticism. --- Deleuze, Gilles, --- 82-2 --- 82-2 Toneel. Drama --- Toneel. Drama --- Competence --- Work --- Show business --- Arts --- Performance art --- Moral and ethical aspects --- Ethics --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- 82-2 Drama. Plays --- Drama. Plays --- Delezi, Jier,
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Theater --- Philosophy. --- Theatrical science --- performances [creative events] --- Philosophy
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The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity -as the production of ideas, bodies and knowledges -in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly.
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Political science --- Political manifestoes. --- Political philosophy --- Manifestoes, Political --- Manifestos, Political --- Political manifestoes --- Communication in politics --- Philosophy. --- Performing arts --- Performance --- Literary manifestos. --- Competence --- Work --- Show business --- Arts --- Performance art --- Literary manifestoes --- Manifestoes, Literary --- Manifestos, Literary --- Literature --- Political aspects.
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