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Hank Willis Thomas: All Things Being Equal presents a survey of the artist's prolific and extraordinary interdisciplinary career, incorporating all aspects of his art, with a particular focus on the work's relationship to the photographic image and to issues of representation and perception. At the core of his practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness, Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas's influences and inspirations.--from the Publisher

Art --- sculpture [visual works] --- photography [process] --- racial discrimination --- social stratification --- civil rights --- video art --- interactive art --- Thomas, Hank Willis --- African American art --- Photography, Artistic --- 761.2 fotografen afzonderlijk --- 705.9 --- fotografie --- conceptuele kunst --- concept art --- Identiteit (Zelfbeeld Zelfkennis) --- beeldcultuur --- collages --- branding (marketing) --- reclame --- popcultuur --- 21e eeuw (eenentwintigste eeuw) --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Thomas, Hank Willis, --- Exhibitions

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Art --- Recreation. Games. Sports. Corp. expression --- dance [performing arts genre] --- fine arts [discipline] --- anno 1800-1999 --- United States of America