Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

1 Iterability, Pictorial Representation and Beyond##2 The Structure of Cubism##3 Front Duration to Modernity: Bergson and Italian Futurism##4 Malevich, Philosophy and Non-Objectivity##5 Dialectic and Surrealism: From Breton to Pollock##6 The Dialectic of Abstract-Real in Mondrian##7 Barnett Newman and the Sublime##8 Aesthetic Ideas versus Conceptual Art##9 Simulation and Postmodern Representation##10 The Postmodern Iterable: Installation and Assemblage Art##11Leaving the Twentieth Century: A Future for Art

Aesthetics of art --- anno 1900-1999 --- Art, Modern

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A monograph devoted exclusively to Kant's theory of the sublime a subject currently witnessing a revival amongst European philosphers in relation to debates about the nature of postmodernism.

Sublime, The --- Sublime --- History --- Histoire --- Kant, Immanuel, --- -Aesthetics --- Kant, Immanuel --- -Contributions in concept of the sublime --- -History --- History. --- Contributions in concept of the Sublime. --- Sublime, The - History - 18th century.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- Art criticism --- Philosophy. --- -Art criticism --- -Art --- Arts --- Criticism --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- Philosophy --- Analysis, interpretation, appreciation --- -Philosophy --- Beautiful, The --- Beauty --- Art and philosophy --- Art - Philosophy. --- Art criticism - Philosophy.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Aesthetics, Modern --- Esthetiek. --- Postmodernisme. --- Aesthetics --- anno 1900-1999

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Postmodernism in the visual arts is not just another 'ism.' It emerged in the 1960s as a transformation of artistic creativity inspired by Duchamp's idea that the artwork does not have to be physically made by its creator. Products of mass culture and technology can be used just as well as traditional media. This idea became influential because of a widespread naturalization of technology - where technology becomes something lived in as well as used. Postmodern art embodies this attitude. To explain why, Paul Crowther investigates topics such as eclecticism, the sublime, deconstruction in art and philosophy, and Paolozzi's Wittgenstein-inspired works

Postmodernism --- Art and technology --- Postmodernism. --- Art and technology.