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Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research.

Music theory --- Time in music. --- Composition (Music) --- Music --- Musical theory --- Theory of music --- Theory --- Time in music

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Despite innovative developments in research in-and-through the arts in the past decade, the emergent field of artistic research remains controversial, and is accepted with varying degrees of enthusiasm in academic institutions. It is our contention that the challenges and opportunities presented by this burgeoning discipline may be better understood by re-emphasising the centrality of the artist. Through a study of the interrelationship between artistic fields and theories of knowledge, and through some consciously metaphorical readings, we examine the contexts within which artistic research has developed. Using this information as a means of interrogating both scientific and artistic research paradigms, and case studies concerning specific artist-researchers, the case is set out for a fresh paradigm – an ‘artistic turn’. The aim is to create a field of meaning that may illuminate the most promising, though correspondingly problematic, aspects of artistic research: the essential ineffability of artistic creativity, and the consequent insufficiency of verbal and written accounts – something which inevitably impacts upon the text presented here. Accordingly, the discourse articulated in this volume does not propose definitive approaches, but charts a constellation of ideas that outlines the new discipline and points to its manifold and open-ended possibilities.

wetenschappelijk onderzoek --- muziektheorie --- research --- Music --- 373.67 --- 591 --- Onderzoek (kunst) --- Onderzoek (algemene literatuur) --- 7.01 --- onderzoek in de kunsten --- kunsttheorie --- Kaprow Allan --- Harrison Newton --- Mayer Helen --- Fabre Jan --- Klee Paul --- Gould Glenn --- Bernstein Leonard --- kunstonderwijs --- kunst --- Kunstpraktijk --- 21e eeuw

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Music --- Romantic [modern European styles] --- Art styles --- Aesthetics of art --- anno 1800-1899 --- Music theory --- Musique --- Théorie musicale --- Philosophy and aesthetics --- Philosophie et esthétique --- Academic collection --- Théorie musicale --- Philosophie et esthétique --- Aesthetics, European --- Musical theory --- Theory of music --- History --- History and criticism --- Theory --- Romantiek --- Muziektheorie --- Esthetica --- 19e eeuw

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