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"Composer Paul Craenen explores ways in which the musician's body is revealed in musical performances. He leads us from Cage, Lachenmann, Kagel and their contemporaries to a discussion of how today's generation of young composers is writing a body paradigm into composition itself. Micro-temporal physical gestures and instrumental timbre provide the key to unveiling the physical presence of both a musician and a 'composing body.' The author's concept of 'intercorporeality, ' along with the idea of an alternating linear and non-linear relationship of the composing body to time, casts new light on the relationship between musicians, composers and music consumers"--Back cover.
muziektheorie --- componeren --- Music --- compositieleer --- Compositie (Muziek) --- Composition (Music) --- Composition (Musique) --- Composition musicale --- 20th century --- History and criticism --- Philosophy and aesthetics --- Performance practice (Music) --- History --- Composition (Music). --- Performance practice (Music). --- music [performing arts] --- contemporary [generic time frame] --- philosophy of art --- 575 --- Muziekfilosofie --- Muziekpsychologie --- Lichaamsbewustzijn --- Compositie --- music [performing arts genre] --- muziekgeschiedenis
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facsimile's --- klarinetmuziek --- anno 2000-2009 --- Flanders
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facsimile's --- harpmuziek --- anno 2000-2009 --- Flanders
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kamerorkestmuziek --- anno 2000-2009 --- Flanders
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facsimile's --- blokfluitmuziek --- anno 2000-2009 --- Flanders
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