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Japanese literature --- Women and literature --- Women authors, Japanese --- Woman authors --- History and criticism. --- J5500.70 --- J5509 --- J5930 --- -Japanese literature --- -Women authors, Japanese --- -Japanese women authors --- Authors, Japanese --- Japan: Literature -- history and criticism -- modern, Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Literature -- theory, methodology and philosophy --- Japan: Literature -- modern fiction and prose (1868- ) --- history and criticism. --- -History and criticism. --- Meiji period, 1968-1912. --- Littérature japonaise --- History and criticism --- Women authors --- Histoire et critique --- Femmes écrivains --- Woman authors&delete&
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The Handbook of Modern and Contemporary Japanese Women Writers offers a comprehensive overview of women writers in Japan, from the late nineteenth century to the early twenty-first. Featuring twenty-four newly written contributions from scholars in the field - representing expertise from North America, Europe, Japan, and Australia - the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns - the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation - each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics - whether Japanese, Chinese, or European - and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan.
Japanese literature --- Women authors --- History and criticism. --- Japan, Japanese Literature, Women. --- ART / Women Artists.
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The Handbook of Modern and Contemporary Japanese Women Writers offers a comprehensive overview of women writers in Japan, from the late nineteenth century to the early twenty-first. Featuring twenty-four newly written contributions from scholars in the field - representing expertise from North America, Europe, Japan, and Australia - the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns - the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation - each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics - whether Japanese, Chinese, or European - and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women's writing in Japan.
Japanese literature --- Women authors --- History and criticism.
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The doctrine of the incarnation stands at the heart of Christian faith and formation. Perhaps for that very reason, Christian claims about the incarnation are hotly contested. Specifically, a common critique of the orthodox doctrine holds that the belief that God's becoming flesh in the person of Jesus is a universally significant event causes problems in an increasingly pluralistic world. Some argue that the doctrine supports injustice, others say that it is logically incoherent, and still others find it implausible. Rebecca L. Copeland undertakes to recover the essence of traditional Christian convictions about the person of Christ. Instead of tempering christological claims to avoid such problems, Created Being argues that it is not the doctrine itself presenting these challenges--rather, the challenges emerge from readings of the doctrine that privilege humanity and, more particularly, maleness. Copeland thus offers a reconstructed Christology that is faithful to creedal insights while answering the justice, coherence, and plausibility challenges raised, all while providing an understanding of Christ's "consubstantiality" that is inclusive of the entire created order. Feminist and ecotheological critiques further aid in reclaiming the significance of the incarnation for all members of creation. Homo sapiens, Copeland asserts, are not at the center of the universe, and neither should we occupy the central interpretive role for understanding Christ's importance. Engaging the perspectives of all domains of "being," this volume dismantles rigid hierarchies and brings ancient insights into the proper relationships among God, human and creaturely beings, and nature. Created Being presents a cosmic understanding of Christ without losing sight of the particularities of Jesus' personhood. In doing so, this book lays the foundation for a universal soteriology and an ethic poised to address the particular needs of the twenty-first century.
Incarnation. --- Creation. --- Salvation --- Christianity.
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"Diva Nation explores the constructed nature of female iconicity in Japan. From ancient goddesses and queens to modern singers and writers, this edited volume critically reconsiders the female icon, tracing how she has been offered up for emulation, debate or censure. The research in this book culminates from curiosity over the insistent presence of Japanese female figures who have refused to sit quietly on the sidelines of history. The contributors move beyond archival portraits to consider historically and culturally informed diva imagery and diva lore. The diva is ripe for expansion, fantasy, eroticization, and playful reinvention, while simultaneously presenting a challenge to patriarchal culture. Diva Nation asks how the diva disrupts or bolsters ideas about nationhood, morality, and aesthetics"--Provided by publisher.
Femmes dans la culture populaire --- Femmes --- Women in popular culture --- Women in popular culture. --- Dans la culture populaire --- Japan. --- Popular culture --- Women --- Public opinion --- J4176.80 --- J4143 --- Japan: Sociology and anthropology -- gender roles, women, feminism -- history --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture
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The first anthology of its kind, The Modern Murasaki brings the vibrancy and rich imagination of women's writing from the Meiji period to English-language readers. Along with traditional prose, the editors have chosen and carefully translated short stories, plays, poetry, speeches, essays, and personal journal entries. Selected readings include writings by the public speaker Kishida Toshiko, the dramatist Hasegawa Shigure, the short-fiction writer Shimizu Shikin, the political writer Tamura Toshiko, and the novelists Miyake Kaho, Higuchi Ichiyo, Tazawa Inabune, Kitada Usurai, Nogami Yaeko, and Mizuno Senko. The volume also includes a thorough introduction to each reading, an extensive index listing historical, social, and literary concepts, and a comprehensive guide to further research. The fierce tenor and bold content of these texts refute the popular belief that women of this era were passive and silent. A vital addition to courses in women's studies and Japanese literature and history, The Modern Murasaki is a singular resource for students and scholars. -- Publisher.
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