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In the first full-length study of Wallace Stevens's word-play, Eleanor Cook focuses on Stevens's skillful play with grammar, etymology, allusion, and other elements of poetry, and suggests ways in which this play offers a method of approaching his work. At the same time, this book is a general study of Stevens's poetry, moving from his earliest to his latest work, and includes close readings of three of his remarkable long poems--Esthetique du Mal, Notes toward a Supreme Fiction, and An Ordinary Evening in New Haven. The chronological arrangement enables readers to follow Stevens's increasing skill and changing thought in three areas of his "poetry of the earth": the poetry of place, the poetry of eros, and the poetry of belief.Poetry, Word-Play, and Word-War in Wallace Stevens shows how, in setting words at play and in conflict, Stevens could upset the usual relations of rhetoric, grammar, and dialectic, and thus the book contributes to the current debate about logical and a-logical uses of language. Cook also places Stevens within the larger context of Western literature, hearing how he speaks to Milton, Keats, and Wordsworth; to such American forebears as Whitman, Emerson, and Dickinson; and to T. S. Eliot, his contemporary.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Poetry --- Stevens, Wallace --- Jeux de mots --- Mots d'esprits et jeux de mots --- Play on words --- Woordspelingen --- English language --- Style --- Semantics --- Literary style --- Play of words --- Plays on words --- Word play --- Wordplay --- Plays on words. --- Stevens, Wallace, --- Literary style. --- Criticism and interpretation. --- Wit and humor --- Style. --- Semantics. --- Germanic languages --- Criticism and interpretation --- English language - United States - Style --- English language - United States - Semantics --- Stevens, Wallace - Literary style
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Devinettes et énigmes dans la littérature --- Raadsels in de literatuur --- Riddles in literature --- Riddles in literature. --- Riddles --- History and criticism. --- Thematology --- History and criticism
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Browning, Robert, --- Criticism and interpretation --- Criticism and interpretation.
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Wallace Stevens is one of the major poets of the twentieth century, and also among the most challenging. His poems can be dazzling in their verbal brilliance. They are often shot through with lavish imagery and wit, informed by a lawyer's logic, and disarmingly unexpected: a singing jackrabbit, the seductive Nanzia Nunzio. They also spoke - and still speak - to contemporary concerns. Though his work is popular and his readership continues to grow, many readers encountering it are baffled by such rich and strange poetry. Eleanor Cook, a leading critic of poetry and expert on Stevens, gives us here the essential reader's guide to this important American poet. Cook goes through each of Stevens's poems in his six major collections as well as his later lyrics, in chronological order. For each poem she provides an introductory head note and a series of annotations on difficult phrases and references, illuminating for us just why and how Stevens was a master at his art. Her annotations, which include both previously unpublished scholarship and interpretive remarks, will benefit beginners and specialists alike. Cook also provides a brief biography of Stevens, and offers a detailed appendix on how to read modern poetry. A "Reader's Guide to Wallace Stevens" is an indispensable resource and the perfect companion to "The Collected Poems of Wallace Stevens", first published in 1954 in honor of Stevens' seventy-fifth birthday, as well as to the 1997 collection "Wallace Stevens: Collected Poetry and Prose".
820 "19" STEVENS, WALLACE --- Engelse literatuur--20e eeuw. Periode 1900-1999--STEVENS, WALLACE --- 820 "19" STEVENS, WALLACE Engelse literatuur--20e eeuw. Periode 1900-1999--STEVENS, WALLACE --- Stevens, Wallace, --- Criticism and interpretation. --- Stevens, Wallace --- Criticism and interpretation --- Handbooks, manuals, etc. --- Stevens, Wallace (1879-1955) --- Critique et interprétation --- Guides, manuels, etc.
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Wallace Stevens is one of the major poets of the twentieth century, and also among the most challenging. His poems can be dazzling in their verbal brilliance. They are often shot through with lavish imagery and wit, informed by a lawyer's logic, and disarmingly unexpected: a singing jackrabbit, the seductive Nanzia Nunzio. They also spoke--and still speak--to contemporary concerns. Though his work is popular and his readership continues to grow, many readers encountering it are baffled by such rich and strange poetry. Eleanor Cook, a leading critic of poetry and expert on Stevens, gives us here the essential reader's guide to this important American poet. Cook goes through each of Stevens's poems in his six major collections as well as his later lyrics, in chronological order. For each poem she provides an introductory head note and a series of annotations on difficult phrases and references, illuminating for us just why and how Stevens was a master at his art. Her annotations, which include both previously unpublished scholarship and interpretive remarks, will benefit beginners and specialists alike. Cook also provides a brief biography of Stevens, and offers a detailed appendix on how to read modern poetry. A Reader's Guide to Wallace Stevens is an indispensable resource and the perfect companion to The Collected Poems of Wallace Stevens, first published in 1954 in honor of Stevens's seventy-fifth birthday, as well as to the 1997 collection Wallace Stevens: Collected Poetry and Prose.
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Browning's lyrics are favourite choices for anthologies but are rarely examined closely. This is the first full-length study of the lyrics, and includes detailed analyses of such well-known poems as Love Among the Ruins, Two in the Campagna, A Serenade at the Villa, A Toccata of Galuppi's, By the Fireside, and James Lee's Wife. Eleanor Cook explores Browning's use of repeated images and themes in the lyrics, examines these patterns in other poems and in his letters, and analyses their growth and change in all his work. She demonstrates how the lyrics may be linked with Browning's other work and shows something of his essential artistic unity. His imaginary is found to be more consistent and complex than is usually assumed. Students of Browning will find this work stimulating and instructive, while lovers of Browning will read it with pure pleasure. The reader will return to many of the poems with a rciher sense of their continuing vitality. In an earlier form this study was awarded the first A.S.P. Woodhouse Prize by the University of Toronto.
Dramatic monologues --- History and criticism. --- Browning, Robert, --- Brauning, Robert, --- Bŭrauning, --- Criticism and interpretation.
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Critics and biographers praise Elizabeth Bishop's poetry but have little to say about how it does its sublime work-in the ear and in the mind's eye. Eleanor Cook examines in detail Bishop's diction, syntax, rhythm, and meter, her acute sense of place, and her attention to the natural world. Writers, readers, and teachers will all benefit.
American poetry --- American literature --- Criticism and interpretation. --- Bishop, Elizabeth, --- בישופ, אליזבט,
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Poetics. --- Poetry --- History and criticism.
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