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- Aimé Césaire : La tragédie du Roi Christophe- Bernard Dadié : Béatrice du Congo ; Iles de tempête- Cheik Ndao : L'exil d'Albouri- Jean Pliya : Kondo le requin- Tchicaya U'Tamsi : Le Zulu- Guillaume Oyono-Mbia : Trois prétendants... un mari- Senouvo Zinsou : On joue la comédie- Werewere Liking : La puissance d'Um
African drama (French) --- Theater --- History and criticism. --- History. --- History and criticism --- History --- Africa [French-speaking Equatorial ] --- Africa [French-speaking West ] --- Afrikaans literatuur [Frans ] --- African drama (French) - History and criticism. --- Theater - Africa, French-speaking Equatorial - History. --- Theater - Africa, French-speaking West - History. --- African drama (French) - History and criticism --- Theater - Africa, French-speaking Equatorial - History --- Theater - Africa, French-speaking West - History --- Théâtre --- Afrique --- Histoire --- Analyse critique --- Pièce de théâtre
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African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora
Theater - Africa - History - 20th century. --- Theater --- Performing arts --- African drama --- Drama --- Music, Dance, Drama & Film --- Black drama (African) --- African literature --- Show business --- Arts --- Performance art --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Acting --- Actors --- History --- History and criticism --- #SBIB:39A5 --- #SBIB:39A73 --- #SBIB:39A8 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- History and criticism.
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John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political practices and offers a more finely tuned understanding of performance in diverse diasporic networks.
Theater --- Caribbean drama (French) --- African drama (French) --- French drama --- Caribbean literature (French) --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- African literature (French) --- History and criticism.
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“The Original Explosion That Created Worlds” is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers and innovative artists of post-colonial Africa. The book includes a wide-ranging collection of essays by some of Liking’s finest critics addressing her life and work, from her earlier fiction and social criticism to her later experimental drama, which has been produced on stages around the world. Several essays also look at Liking’s culture-based entrepreneurial work, in which she has attempted to establish a new economic support for African artistic expression. Liking’s excellent but little-known poetry and art criticism, her iconoclastic novels and essays are all the subject of close critical attention in particular studies. There is also consideration of the challenges that her original language and fictional forms present to a literary translator. Liking’s work has provoked an extensive commentary, in the popular press as well as in scholarly journals and her critical reception both inside and outside of Africa is carefully examined. The final important inclusions are two plays by Liking published here for the first time in English translations– Liquid Heroes and This Africa of ours... “The Original Explosion That Created Worlds”: Essays on Werewere Liking’s Art and Writings may serve as an introduction to the work of one of Africa’s most important contemporary artists and one of the most astute commentators on the position of Africa in the new century. To those already familiar with Liking’s novels, poetry, plays, criticism or other cultural work it offers an expanded and deepened understanding of her working contexts and the amazing reach of her cultural expression. The book is of necessary interest to all readers, students, and scholars of postcolonial African literatures, of translation studies, and of gender issues.
Werewere Liking, --- Liking, Were Were, --- Liking, Werewere, --- Were Were Liking, --- Criticism and interpretation. --- Liking, Werewere
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