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Phonetics --- English language --- Anglais (Langue) --- Pronunciation --- Textbooks for foreign speakers --- Prononciation --- Manuels pour allophones --- 802.0-4 --- 802.0-4 Engels: fonetiek; fonologie --- Engels: fonetiek; fonologie --- Non music recording --- Engels: uitspraak --- EFL (English as a foreign language) --- English as a foreign language --- English as a second language --- English to speakers of other languages --- ESL (English to speakers of other languages) --- ESOL (English to speakers of other languages) --- TESL (English to speakers of other languages) --- Engels --- Uitspraak --- Nederlands --- Oefening --- Germanic languages

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Money is Hollywood's great theme-but money laundered into something else, something more. Money can be given a particular occasion and career, as box office receipts, casino winnings, tax credits, stock prices, lotteries, inheritances. Or money can become number, and numbers can be anything: pixels, batting averages, votes, likes. Through explorations of all these and more, J.D. Connor's Hollywood Math and Aftermath provides a stimulating and original take on "the equation of pictures," the relationship between Hollywood and economics since the 1970s. Touched off by an engagement with the work of Gilles Deleuze, Connor demonstrates the centrality of the economic image to Hollywood narrative. More than just a thematic study, this is a conceptual history of the industry that stretches from the dawn of the neoclassical era through the Great Recession and beyond. Along the way, Connor explores new concepts for cinema studies: precession and recession, pervasion and staking, ostension and deritualization. Enlivened by a wealth of case studies-from The Big Short and The Wolf of Wall Street to Equity and Blackhat, from Moneyball to 12 Years a Slave, Titanic to Lost, The Exorcist to WALLE, Deja Vu to Upstream Color, Contagion to The Untouchables, Ferris Bueller to Pacific Rim, The Avengers to The Village-Hollywood Math and Aftermath is a bravura portrait of the industry coming to terms with its own numerical underpinnings.

Money in motion pictures --- Motion picture industry --- Motion pictures --- Economic aspects --- History --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- #SBIB:309H1312 --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Money in motion pictures. --- Argent (monnaie) --- Industrie du cinéma --- Cinéma --- Au cinéma --- Aspect économique --- Histoire --- Au cinéma. --- Industrie du cinéma --- Cinéma --- Au cinéma. --- Aspect économique

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Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970's, they returned to power in the 1980's, ruled unquestioned in the 1990's, and in the new millennium are again besieged. But in the heyday of this new classical era, the major studios movies - their stories and styles - were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how

Motion picture studios --- Motion picture industry --- Motion pictures --- Companies, Motion picture --- Film companies --- Film studios --- Motion picture companies --- Motion picture production companies --- Moving-picture studios --- Production companies, Motion picture --- Studios, Motion picture --- Business enterprises --- History. --- Hollywood (Los Angeles, Calif.)

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Phonetics

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Christian religion --- Christian spirituality --- Iconography