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Different as they were as poets, Wallace Stevens, E. E. Cummings, Robert Frost, and Williams Carlos Williams grappled with the highly charged literary politics of the 1930's in comparable ways. As other writers moved sharply to the Left, and as leftist critics promulgated a proletarian aesthetics, these modernist poets keenly felt the pressure of the times and politicized literary scene. All four poets saw their reputations critically challenged in these years and felt compelled to respond to the new politics, literary and national, in distinct ways, ranging from rejection to in
Cummings, Edward Estlin --- Stevens, Wallace --- Frost, Robert --- Williams, William C. --- Right and left (Political science) in literature --- Williams, William Carlos --- American poetry --- 20th century --- History and criticism --- Politics and literature --- United States --- History --- Poets [American ] --- Political and social views --- Frost, Robert Lee --- Poets, American --- Right and left (Political science) in literature. --- American poets --- Political and social views. --- History and criticism. --- Williams, William Carlos, --- Frost, Robert, --- Cummings, E. E. --- Stevens, Wallace, --- וויליאמס, וויליאם קרלוס, --- ויליאמס, ויליאם קרלוס, --- Ṿiliʼams, Ṿiliʼam Ḳarlos, --- Frost, Robert Lee, --- פראסט, ראבערט, --- פרוסט, רוברט, --- فروست ، روبرت --- Фрост, Роберт, --- Kaminjz, I. I., --- Cummings, Edward Estlin, --- Kammings, E. E. --- kamings, e. e., --- cummings, e e,
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Illuminates the development of Hemingway's themes and techniques and his future course as a stylist and writer. In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway's story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway's Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant wo
Hemingway, Ernest, --- Hemingway, Ernest --- Kheminguėĭ, Ėrnest --- Hai-ming-wei, --- Hemingvej, Ernest --- Hemingwei --- Hīminjwāy, Arnist --- Ḣeminguei̐, E. --- Ḣeminguei̐, Ernest --- Heminguej, Ernest --- Heminguej, E. --- Hemingṿey, Ernesṭ --- Haminghwāy, Arnist --- Hayminghwāy, Arnis, --- Himinghwāy, Arnist --- Himinghwāy, --- Hemingvejs, Ernests --- Hemingṿe, Ernesṭ --- Chemingouaiē, Ernest --- Heminguwei, Ānesuto --- Haimingwei, Eneisite --- Haimingwei, Ouneisite --- Haimingwei, Ennasite --- Hemingwei, Ŏnesŭtʻŭ --- Хемингуэй, Эрнест --- Хемингуэй, Э. М. --- המינגווי, ארנסט --- המינגווי, ארנסט, --- המינגוי, ארנסט --- המינגוי, ארנסט, --- העמינגוועי, ערנעסט --- 海明威, --- E. ヘミングウェイ, --- همنغواي، ارنست --- همينگوى، ارنست --- ヘミングウェイ, アーネスト, --- 헤밍웨이, 어네스트, --- 海明威, 欧内斯特, --- Chaiminkouaiē, Ernest --- Technique. --- Criticism, Textual. --- American literature --- History and criticism.
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"John Steinbeck, Richard Wright, and Ernest Hemingway shared two significant similarities in the late 1930's. First, they wrote the most important American novels of 1939 and 1940: The Grapes of Wrath, Native Son, and For Whom the Bell Tolls, novels that enjoyed enormous critical acclaim and popular success. Second, they had recently gravitated to the Left or were already residing there when they wrote these novels, and their political commitment directly informed their fiction" --
Right and left (Political science) in literature. --- Politics in literature. --- Politics and literature --- Novelists, American --- American novelists --- Political science in literature --- History --- Political and social views. --- Hemingway, Ernest, --- Wright, Richard, --- Steinbeck, John, --- Hemingway, Ernest --- Kheminguėĭ, Ėrnest --- Hai-ming-wei, --- Hemingvej, Ernest --- Hemingwei --- Hīminjwāy, Arnist --- Ḣeminguei̐, E. --- Ḣeminguei̐, Ernest --- Heminguej, Ernest --- Heminguej, E. --- Hemingṿey, Ernesṭ --- Haminghwāy, Arnist --- Hayminghwāy, Arnis, --- Himinghwāy, Arnist --- Himinghwāy, --- Hemingvejs, Ernests --- Hemingṿe, Ernesṭ --- Chemingouaiē, Ernest --- Heminguwei, Ānesuto --- Haimingwei, Eneisite --- Haimingwei, Ouneisite --- Haimingwei, Ennasite --- Hemingwei, Ŏnesŭtʻŭ --- Хемингуэй, Эрнест --- Хемингуэй, Э. М. --- המינגווי, ארנסט --- המינגווי, ארנסט, --- המינגוי, ארנסט --- המינגוי, ארנסט, --- העמינגוועי, ערנעסט --- 海明威, --- E. ヘミングウェイ, --- همنغواي، ارنست --- همينگوى، ارنست --- ヘミングウェイ, アーネスト, --- 헤밍웨이, 어네스트, --- 海明威, 欧内斯特, --- Chaiminkouaiē, Ernest --- Raĭt, Richard, --- Raiṭ, Rits'ard, --- רייט, ריצ׳רד --- רייט, ריצ׳רד, --- رتشارد رايت --- رايت، رتشارد --- Rāyt, Rīchārd, --- راىت، رىچارد --- Steinbeck, John --- Steĭnbek, Dzhon --- Ssu-tʻan-pei-kʻo --- Ssu-tʻan-pei-kʻo, --- Steinbeck, John Ernst --- Sutainbekku, Jon Ānsuto --- Sṭainbeḳ, G'. --- Stainmpek, Tzōn --- Sṭenbeḳ, G'on --- Ishtāynʹbik, --- Ishtāynʹbik, Jān --- Steynbek, Con --- Sṭeinabeka, Jana --- Стейнбек, Джон --- ג׳והן, סטיינרג --- סטיינבק ג׳והן --- סטיינבק, ג׳ --- סטיינבק, ג׳והן --- סטיינבק, ג׳והן, --- סטיינבק, ג׳ון --- סטיינבק, ג׳ון, --- סטײנבק, ג׳והן, --- סטײנבק, ג׳ון, --- استاينبك، جان ارنست --- ジョンスタインベック, --- ジョン.スタインベック, --- スタインベック, ジョン, --- Stainbeki, Jon, --- Istāyin Bak, Jān, --- استاين بک، جان --- Gordon, Ricky Ian. --- Whitebrook, Peter,
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Cummings, E. E. --- Aesthetics. --- Criticism and interpretation. --- Esthétique --- Critique et interprétation
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Art styles --- anno 1910-1919 --- Europe --- Reference groups --- Arts, Modern --- Creation (Literary, artistic, etc.) --- Modernism (Aesthetics) --- Identification (Psychology) --- Social groups --- Aesthetics --- History --- Arts [Modern ] --- 20th century --- 700 --- modernisme --- kunst algemeen --- art généralités
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