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Mark Manders was awarded the Van Lanschot Kempen Art Prize 2018, which is given annually to a mid-career artist in the Benelux. This volume recognises this achievement in the form of an extended English edition of 'Les études d'ombres' (2012), published in French and commissioned by Carré d'Art in Nîmes. Since 1986, Manders has continuously worked and expanded on the notion of his 'Self-Portrait as a Building', producing artworks that resemble a fictional building, with divisions between various rooms and levels, but the exact dimensions and shape of which can never be determined. As such, his oeuvre forms a larger 'Gesamtkunstwerk' that fascinates our imagination.
Sculpture --- assemblages [sculpture] --- installations [visual works] --- monumental [size or dimensions] --- human figures [visual works] --- mixed media works --- Manders, Mark --- Installations (Art) --- Sculpture, Modern --- kunst --- 7.071 MANDERS --- kunst en architectuur --- installaties --- beeldhouwkunst --- Nederland --- eenentwintigste eeuw --- twintigste eeuw --- Modern sculpture --- Manders, Mark, --- Manders, Mark.
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Droit et art --- Arts --- Droit d'auteur --- Droit --- Art --- Art [Modern ] --- 20th century --- Congresses --- 21st century --- Archival resources --- Art and society --- Art and history --- Congresses and conventions --- Fictions (Law) --- Droit et art. --- Droit. --- Art.
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