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Historiography --- Civilization, Modern --- Philosophy. --- Philosophy. --- Benjamin, Walter. --- Arendt, Hannah. --- Hegel, Georg Wilhelm Friedrich. --- Locke, John. --- Blanchot, Maurice.
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Whereas historical determinacy conceives the past as a complex and unstable network of causalities, this book asks how history can be related to a more radical future. To pose that question, it does not reject determinacy outright but rather seeks to explore how it works. In examining what it means to be “determined” by history, it also asks what kind of openings there might be in our encounters with history for interruptions, re-readings, and re-writings.Engaging texts spanning multiple genres and several centuries—from John Locke to Maurice Blanchot, from Hegel to Benjamin—Clift looks at experiences of time that exceed the historical narration of experiences said to have occurred in time. She focuses on the co-existence of multiple temporalities and opens up the quintessentially modern notion of historical succession to other possibilities. The alternatives she draws out include the mediations of language and narration, temporal leaps, oscillations and blockages, and the role played by contingency in representation. She argues that such alternatives compel us to reassess the ways we understand history and identity in a traumatic, or indeed in a post-traumatic, age.
Historiography --- Civilization, Modern --- Philosophy. --- Benjamin, Walter, --- Arendt, Hannah, --- Hegel, Georg Wilhelm Friedrich, --- Locke, John, --- Blanchot, Maurice. --- Empiricism. --- G. W. F. Hegel. --- Hannah Arendt. --- Maurice Blanchot. --- Memory. --- Subjectivity. --- Temporality. --- Trauma. --- Walter Benjamin. --- history.
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"We have left the twentieth century, but this century of violence and extremes has not left us: Its shadow has become longer and blacker. Seventy years after the end of the Second World War, the memory of the Holocaust is less and less anchored in the lived experience of survivors and witnesses. Shadows of Trauma analyzes the transformation of the past from an individual experience to a collective construction, with special attention to the tensions that arise when personal experience collides with official commemoration. In addition to surveying memory's important terms and distinctions, Assmann traces the process that emerged after the fall of the Berlin Wall, of creating a new German memory of the Holocaust. Assmann revisits the pitfalls of "false memory" and lingering forms of denial and repression, as well as the new twenty-first-century discourses, such as that of German "victimhood," as well as the new memory sites for a future in which German memory will be increasingly oriented toward a European context. Combining theoretical analysis with historical case studies, the book revisits crucial debates and controversial issues out of which "memory culture" has emerged as a collective project and a work in progress"-- "The book traces the process of creating of a new German memory of the Holocaust after the fall of the Wall. Combining theoretical analysis with historical case studies, the book revisits crucial debates and controversial issues out of which Germany's new 'memory culture' emerged as a collective project and work in progress"--
National socialism --- Historiography --- Memory --- Collective memory --- #SBIB:94H3 --- #SBIB:93H3 --- Historiography. --- Political aspects --- Geschiedenis van Duitsland --- Thematische geschiedenis --- History --- Modern --- 20th Century. --- Holocaust. --- Philosophical anthropology --- History as a science --- Germany
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"Is, as Hamlet once feared, the time out of joint? What has happened to our relation to the past and the future? The past has returned in various shapes: as nostalgia, as traumatic impact, and as historical origin or key event for the purposes of nation building. The future, meanwhile, has lost much of its glamor, too. The notion of progress and a utopian future have been eroded a growing ecological crisis. The seemingly solid moorings of our temporal orientation have collapsed within the time span of a generation. In order to better understand our temporal crisis, we must start by reconstructing what has just disappeared. In this book, Aleida Assmann tracks the rise and fall of what she calls "the time regime of modernity," explaining what we have both gained and lost in this profound transformation of our cultural values and premises"--
History --- LITERARY CRITICISM --- Time in literature. --- Time. --- Philosophy. --- Semiotics & Theory. --- Philosophy and psychology of culture --- Political philosophy. Social philosophy --- Philosophical anthropology
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Is, as Hamlet once complained, time out joint? Have the ways we understand the past and the future-and their relationship to the present-been reordered? The past, it seems, has returned with a vengeance: as aggressive nostalgia, as traumatic memory, or as atavistic origin narratives rooted in nation, race, or tribe. The future, meanwhile, has lost its utopian glamor, with the belief in progress and hope for a better future eroded by fears of ecological collapse. In this provocative book, Aleida Assmann argues that the apparently solid moorings of our temporal orientation have collapsed within the span of a generation. To understand this profound cultural crisis, she reconstructs the rise and fall of what she calls "time regime of modernity" that underpins notions of modernization and progress, a shared understanding that is now under threat. Is Time Out of Joint? assesses the deep change in the temporality of modern Western culture as it relates to our historical experience, historical theory, and our life-world of shared experience, explaining what we have both gained and lost during this profound transformation.
Time. --- Time in literature. --- History --- History, Modern --- Hours (Time) --- Geodetic astronomy --- Nautical astronomy --- Horology --- Philosophy. --- Philosophy --- cultural crisis. --- ecological collapse. --- modernization. --- temporal orientation.
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“A meticulous and shattering investigation of eight horrific pictures…”—L’Arche In December 1941, on a shore near the Latvian city of Liepaja, Nazi death squads (the Einsatzgruppen) and local collaborators murdered in three days more than 2,700 Jews. The majority were women and children, most men having already been shot during the summer. The perpetrators took pictures of the December killings. These pictures are among the rare photographs from the first period of the extermination, during which over 800 000 Jews from the Baltic to the Black Sea were shot to death. By showing the importance of photography in understanding persecution, Nadine Fresco offers a powerful meditation on these images while confronting the essential questions of testimony and guilt. From the forward by Dorota Glowackay: Straddling the boundary between historical inquiry and personal reflection, this extraordinary text unfolds as a series of encounters with eponymic Holocaust photographs. Although only a small number of photographs are reproduced here, Fresco provides evocative descriptions of many well-known images: synagogues and Torah scrolls burning on the night of Kristallnacht; deportations to the ghettos and the camps; and, finally, mass executions in the killing fi elds of Eastern Europe. The unique set of photographs included in On the Death of Jews shows groups of women and children from Liepaja (Liepája), shortly before they were killed in December 1941 in the dunes of Shkede (Škéde) on the Baltic Sea. In the last photograph of the series, we see the victims’ bodies tumbling into the pit.
Holocaust, Jewish (1939-1945) --- baltic region. --- concentration camps. --- death camps. --- european history. --- final solution. --- genocide. --- german history. --- historical photography. --- historical photos. --- history. --- holocaust studies. --- holocaust. --- jewish persecution. --- latvia. --- nazi death squads. --- nazi. --- photoessays. --- photography. --- rare photographs. --- wartime atrocities.
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Aesthetics --- God --- Justice (Philosophy) --- Love
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