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"In The New Internationalists, Sue Clayton tells the story of the largest civic mobilization since the Second World War, when volunteers--many young and untrained--took on unimaginable responsibilities and saved thousands of lives. During the European refugee crisis of 2015-2020, they witnessed first hand the catastrophic failure of established NGOs, and the indifference--and frequently, the open hostility--of the EU and national governments. Many faced state hostility themselves. Their accounts show how activist volunteers have shaped today's European humanitarian agenda, and provide a powerful critique of failures of current policy. With The New Internationalists, Clayton offers a contemporary history and critical contextualization of this powerful new force. Mapping key flashpoint locations and curating unique first hand testimonies, she explores how during the crisis, when almost two million people reached Europe by deadly sea-crossings, more than 100,000 citizens came together in new grassroots social formations to rescue, support, and welcome them. She provides a unique and multifaceted account, based on evidence and testimonies, and situates it within current debates on humanitarianism and contemporary social and solidarity movements." --Amazon.com.

Humanitarian aid workers --- Human rights workers

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Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer and director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape '70s alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and the editors of this collection themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.

Experimental films --- film --- filmgeschiedenis --- twintigste eeuw --- experimentele film --- filmproductie --- Groot-Brittannië --- 791.43 --- #SBIB:309H1326 --- #SBIB:309H520 --- History and criticism --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Audiovisuele communicatie: algemene werken --- Performing arts. --- History and criticism.

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Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer and director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape '70s alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and the editors of this collection themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.

Experimental films --- History and criticism.

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