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Art in the lives of ordinary romans : visual representation and non-elite viewers in Italy, 100 B.C. - A.D. 315
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ISBN: 0520219767 Year: 2003 Volume: *2 Publisher: Berkeley Los Angeles London University of California Press

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Looking at lovemaking : constructions of sexuality in Roman art, 100 B.C.-A.D. 250
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ISBN: 0520200241 9780520229044 0520229045 Year: 1998 Publisher: Berkeley ; London : University of California Press,

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Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality. What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question. He reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works--many newly discovered and previously unpublished--in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence.


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Looking at Laughter : Humor, Power, and Transgression in Roman Visual Culture, 100 B.C.- A.D. 250
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ISBN: 1282357050 9786612357053 0520929837 9780520929838 9781282357051 Year: 2007 Publisher: Berkeley, CA : University of California Press,

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In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious—everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.


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The houses of Roman Italy, 100 B.C.-A.D. 250
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ISBN: 0585139695 0520914449 9780520914445 9780585139692 0520084292 9780520084292 0520072677 9780520072671 Year: 1991 Publisher: Berkeley, Calif.

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In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.

Roman life : 100 B.C. to A.D. 200
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ISBN: 9780810993396 0810993392 Year: 2007 Publisher: New York (N.Y.) : Abrams,

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Roman sex, 100 B.C.to 250 A.D.
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ISBN: 0810942631 Year: 2003 Publisher: New York Abrams

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Roman black-and-white figural mosaics
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ISBN: 0814713769 Year: 1979 Publisher: New York : Published by New York University Press for the College Art Association of America,

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Looking and laughter : humor, power, and transgression in Roman visual culture, 100 B.C.-A.D. 250
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ISBN: 9780520237339 0520237331 Year: 2007 Publisher: Berkeley University of California

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In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" 'Looking at Laughter 'examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious--everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.


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The mediterranean foundations of ancient art
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ISBN: 3657779191 Year: 2015 Publisher: Paderborn, Germany : Wilhelm Fink : Ferdinand Schöningh Verlag,

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A timeless essay on the underlying structures of classical art and architecture. This fundamental essay in the tradition of Vienna-School Structuralism traces the religious and sexual drives that gave rise to the distinct forms of Greek and Roman art and architecture. Kaschnitz demonstrates how the worship of male ancestors with upright stone monuments led to the Greek temple and classical sculpture--impenetrable forms dominating space and the viewer. Worship of the life-giving fertility of the mother-goddesses required underground, cave-like spaces that underlie the volumetric interiors of Roman and Etruscan temples that surround and enclose the viewer. The extensive bibliography, invoking a wide range of sources, provides invaluable insight into the wide range of disciplines that Kaschnitz explored, from comparative ethnography to folk psychology. Kaschnitz-Weinbergs Essay von 1944, einer der Grundlagentexte der Strukturforschung, befasst sich mit der Religion und Architektur der Megalithkultur, um zu erklären, warum Griechen und Römer ganz unterschiedliche Konzeptionen von Form und Raum in Architektur und Bildhauerei realisierten. Kaschnitz setzt die griechische Konzeption mit prähistorischen Kulturen in Beziehung, die Ahnen und Gottheiten in phallischen, aufrechten Monumenten verehrten. Er entdeckt die Vorgeschichte der römischen Konzeption in der Höhle, umhüllenden Räumen, die den Uterus der Mutter Erde evozierten. Dem Originaltext der englischen Erstübersetzung sind eine Einführung des Herausgebers, rekonstruierte Anmerkungen und eine umfassende Bibliographie beigegeben.

Keywords

Art, Ancient --- History.

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