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Cartoonists --- Comic books, strips, etc --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Comics artists and cartoonists --- United States --- Interviews --- Biography --- Comic books, strips, etc. --- 21st century --- Manhua (Comic books) --- Manhwa (Comic books) --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal

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In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war.

Comic books, strips, etc. --- Nonfiction comics --- Graphic novels --- Psychic trauma in literature. --- Storytelling in literature. --- Narration (Rhetoric). --- History and criticism. --- Psychic trauma in literature --- Storytelling in literature --- Narration (Rhetoric) --- History and criticism --- Comic books, strips, etc --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Comic books, strips, etc. - History and criticism --- Nonfiction comics - History and criticism --- Graphic novels - History and criticism --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal

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Richly illustrated with images from Art Spiegelman's work, 'Maus Now' gathers together many of contemporary culture's leading critics, authors, and academics on the radical achievement and innovation of Maus more than forty years since its first publication. Pulitzer Prize-winning author Art Spiegelman is one of our most influential contemporary artists, and it is hard to overstate his effect on postwar American culture. Maus has shaped the fields of literature, history, and art, and enlivened our collective sense of what these practices can accomplish. Maus Now: Selected Writings collects responses to the work that confirm its unique and terrain-shifting status. Here, writers such as Philip Pullman, Robert Storr, Ruth Franklin, and others approach Maus from a wide range of viewpoints and traditions, inspired by the material's complexity. The book is organized into three very loosely chronological sections: "Contexts," "Problems of Representation," and "Legacy," and offers translations of important French, Hebrew, and German essays on Maus for the first time. Maus is revelatory, and generative, in profound and long-lasting ways. With this collection, American literary scholar (and expert on comics and graphic narratives) Hillary Chute assembles the best work around the globe exploring this classic graphic biography.

Spiegelman, Art --- Shoah. --- Spiegelman, Art,

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"Over the past century, tans have elevated comics from the back pages of newspapers into one of our most celebrated forms of culture, from Fun Home, the Tony Award-winning musical based on Alison Bechdel's groundbreaking graphic memoir, to the dozens of superhero films that are annual blockbusters worldwide. What is the essence of comics' appeal? What does this art form do that others can't? Whether you've read every comic you can get your hands on or you're just starting your journey, [this book] has something for you. Author Hillary Chute chronicles comics culture, explaining underground comics (also known as "comix") and graphic novels, analyzing their evolution, and offering fascinating portraits of the creative men and women behind them. Chute reveals why these works--a blend of concise words and striking visuals--are an extraordinarily powerful form of expression that stimulates us intellectually and emotionally.^ Focusing on ten major themes--disaster, superheroes, sex, the suburbs, cities, punk, illness and disability, girls, war, and queerness--Chute explains how comics gets its messages across more effectively than any other form. "Why disaster?" explores how comics are uniquely suited to convey the scale and disorientation of calamity, from Art Spiegelman's representation of the Holocaust and 9/11 to Keiji Nakazawa's focus on Hiroshima. "Why the suburbs?" examines how the work of Chris Ware and Charles Burns illustrates the quiet joys and struggles of suburban existence; and "Why punk?" delves into how comics inspire and reflect the punk movement's DIY aesthetics--giving birth to a democratic medium increasingly embraced by some of today's most significant artists.^ Featuring full-color reproductions of more than one hundred essential pages and panels, including some famous but never-before-reprinted images from comics legends, Why Comics? is an indispensable guide that offers a deep understanding of this influential art form and its masters."--Dust jacket.

Comic books, strips, etc. --- Graphic novels --- Superheroes in literature. --- Cartooning. --- Bandes dessinées --- Romans graphiques --- Super-héros --- Dessins animés. --- History and criticism. --- Influence on mass media. --- Histoire et critique. --- Dans la littérature.