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Bogers, Peter

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Acts of Voicing focuses on the aesthetic, performative, and political significance of the voice, viewed from the perspective of visual art, dance, performance, and theory. The book, which also documents the exhibition of the same title that showed at the Württembergischer Kunstverein Stuttgart and the Total Museum of Contemporary Art in Seoul in 2012, explores the diegetic and performative characteristics of the voice. This relates equally to voices that resist and to voices that are disciplined and seek to discipline, to those that are heard and to those that go unheard. The book also examines the struggle to find one's voice and the act of getting voices to speak or be silent. Acts of voicing" widmet sich der ästhetischen, performativen und politischen Bedeutung der Stimme aus der Perspektive von bildender Kunst, Tanz, Performance und Theorie. Das Buch, das zugleich die gleichnamigen Ausstellungen im Württembergischen Kunstverein Stuttgart und Total Museum of Contemporary Art in Seoul (2012) dokumentiert, rückt den Handlungs- und Aufführungscharakter der Stimme in den Blick. Dabei geht es gleichermaßen um die widerständige wie um die disziplinierte und disziplinierende Stimme, um solche Stimmen, die gehört, und andere, die nicht gehört werden. Der Kampf darum, seiner Stimme Gehör zu verschaffen, wird ebenso beleuchtet wie der Akt, Stimmen zum Schweigen oder zum Sprechen zu bringen.

Musique --- Voix --- Histoire de la musique --- Son --- Environnement sonore --- Performance --- Théorie de l'art --- Danse --- Bruit

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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition 50 Years Bauhaus opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war exhibition on the Bauhaus. Fifty years after the opening of 50 Years Bauhaus, the Württembergischer Kunstverein undertook a critical re-reading of the 1968 exhibition, with a particular focus on the ambiguous relationship that various prominent members of the Bauhaus had with National Socialism and the murky connections between the art avant-gardes and the military-industrial complex. While the 1968 exhibition historicized the reception of the Bauhaus, reducing it to West Germany and the US, the publication 50 Years After 50 Years of the Bauhaus reflects on the famous school in the context of artistic movements like the International Movement for an Imaginist Bauhaus and the Situationist International.

Bauhaus. --- Art

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Borremans, Michaël --- 7.071 BORREMANS, MICHAËL --- Gesigneerde boeken --- 75.07 --- Schilderkunst ; 2000-2010 ; Michaël Borremans --- Borremans, Michaël °1963 (°Geraardsbergen, België) --- Belgische kunstenaars --- 75.071(493) --- Belgische schilders --- schilders --- België --- Michaël Borremans --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--BORREMANS, MICHAËL --- Schilderkunst ; schilders --- Exhibitions --- Painting, Belgian. --- Borremans, Michaël, --- 790 --- kunstenaars --- artistes