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This absorbing book explores the crown jewel of the Isabella Stewart Gardner Museum’s collection of rare books and manuscripts: Jean Bourdichon’s Boston Hours. As court artist to King François I of France, Bourdichon produced paintings, books and even parade floats for the sovereign and his entourage. This publication accompanies the museum’s first ever exhibition dedicated to this spectacular illuminated manuscript. Painter to two kings, Jean Bourdichon remains today one of the most celebrated artists of the French Renaissance. By age twenty-four, he was already serving as “peintre du roy,” a title which Bourdichon held for the rest of his life. His illustrious career at the French royal court led to a wide range of commissions—from portraits to wall maps to stained glass—but he is remembered principally for astonishing illuminated manuscripts. The peerless Grandes Heures for Queen Anne of Brittany remains the touchstone of this group which includes some of the most lavishly painted books of hours ever produced. One of these masterpieces—Bourdichon’s Boston Hours—in the collection of the Isabella Stewart Gardner Museum is the subject of this book. Bourdichon’s only intact book of hours in the United States was acquired by Isabella Stewart Gardner in 1890 and became the crown jewel of her collection of rare books and manuscripts. Leading scholars Nicholas Herman and Anne-Marie Eze explore its history in depth, shedding new light on the book’s patronage and provenance—from the shelves of a wealthy Catholic landowner in Lincolnshire to the shop of a Venetian art and antiques dealer. This book is the latest in the Gardner’s Close Up series, each installment focusing on an individual, outstanding work of art in the collection. This publication is the first dedicated to this rare treasure, and precedes an exhibition opening in summer 2022.
Bourdichon, Jean --- Books of hours --- Isabella Stewart Gardner Museum --- Horae (Books of hours) --- Hours, Books of --- Illustrated books --- Boston. Isabella Stewart Gardner Museum --- Gardner (Isabella Stewart) Museum --- Gardner Museum --- Isabella Stewart Gardner Museum, Boston. --- Book history --- Painting --- Manuscripts. Epigraphy. Paleography --- books of hours --- illuminated manuscripts --- Isabella Stewart Gardner Museum [Boston, Mass.] --- 091.31 <73> --- 091:264-13*2 --- 091 <064> --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091.31 <73> Verluchte handschriften--Verenigde Staten van Amerika --- Verluchte handschriften--Verenigde Staten van Amerika --- Handschriftenkunde. Handschriftencatalogi-:-Getijdenboeken
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In terms of antiquarian fame, the Farnese Sarcophagus--elaborately carved with satyrs and maenads gathering grapes--may be the most important work of art in the Gardner collection, and perhaps of its type in America. A large, rectangular coffin of Pentelic marble, the Farnese Sarcophagus was exported from Athens to the area of Rome in the late Severan period, between c. 222 and 235 AD. The carving of the satyrs and maenads was especially suited to the artistic tastes of Mannerist and Baroque Rome, providing one of the most elegant examples of Greek imperial optic elongation to have survived from ancient times. 'Life, Death & Revelry' will offer a multi-disciplinary, multi-era look at this important monument. Published to accompany an exhibition at the Isabella Steward Gardner Museum, Boston, it will bring together archaeological analyses of the piece and its previous restorations, and numerous Renaissance prints and drawings depicting the sarcophagus during its time in Rome.
Sculpture --- sarcophagi [coffins] --- Roman sculpture styles --- Isabella Stewart Gardner Museum [Boston, Mass.] --- Sarcophagi, Greek --- Sculpture, Greek --- Art museums --- Isabella Stewart Gardner Museum --- Sarcophagi, Greek. --- Sculpture, Greek.
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