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S23/0470 --- Mongolia and the Mongols (including Tannu Tuva, Buriats)--Mongolian literature: poems and songs --- Khorchin (Central Asian people) --- Shamanism --- Songs, Mongolian --- Mongolian songs --- Religions --- Kharchin (Central Asian people) --- Qorcin (Central Asian people) --- Ethnology --- Religious life and customs. --- Inner Mongolia (China) --- Innere Mongolei --- Mongolia --- Rehe Sheng (China) --- Chaha'er Sheng (China) --- Suiyuan Sheng (China) --- Ȯbȯr Mongġol (China) --- Ȯvȯr Mongol (China) --- Mongolia (Inner Mongolia) --- Inner Mongolia Autonomous Region (China) --- Nei Meng-ku tzu chih chʻü (China) --- Nei Meng-ku (China) --- Meng-ku tzu chih pang cheng fu (China) --- Meng-ku lien meng tzu chih cheng fu (China) --- Mōko Jichichō Seifu (China) --- Mōko Renmei Jichi Seifu (China) --- Mōko Rengō Jichi Seifu (China) --- Meng-ku lien ho tzu chih cheng fu (China) --- Nei meng gu (China) --- 内蒙古 (China) --- Neimenggu (China) --- Nei menggu (China) --- Nei Meng (China) --- Neimenggu zizhiqu (China) --- Ȯbȯr Mongġol-un Ȯbertegen Jasaqu Oron (China) --- Ȯbȯr Mongġol-un Ȯbertegen Jasaqu Orun (China) --- Ȯvȯr Mongolyn Ȯȯrtȯȯ Zasakh Oron (China) --- Nei Menggu Zizhiqu (China) --- Nei Mongol Zizhiqu (China) --- Mongolia, Inner (China) --- 内蒙古自治区 (China) --- Religion. --- Fruchtbarkeitskult --- Schamanismus --- Gesang.
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The book presents the annotated texts of 21 songs of Eastern Mongol shamans. The transcriptions are kept in the Archives of Oral Literature of the Northrhine-Westphalian Academy of Sciences and Arts in Düsseldorf. The publication contributes new knowledge of the history, ritual practices, beliefs and customs of the Qorčin (Khorchin) Mongol shamans of eastern Inner Mongolia in particular. It focuses on 21 shamanic songs performed for different purposes. They are sung by 8 shamans who were born in the first decades of the 20th century. The Mongol texts of the songs are supplied with an English translation, extensive commentaries, and melodies in numeric notation. The author analyses the 21 songs by making use of passages from songs belonging to the repertoire of other Qorčin Mongol shamans. The 21 songs were placed within a broad framework of Mongolian oral legends and heroic epics, showing that they also evoke themes recurring in different contexts. The book contains 18 photos taken by the author during field trips among the Qorčin shamans.
Civilization --- Mongols
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