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72.036 --- 72.036 <469> --- Architecture, Modern --- -Alvaro Siza Vieira (° 1933, Matozinhos, Oporto, Portugal) --- Architectuur ; 20ste eeuw ; Alvaro Siza --- 72.07 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Modern architecture --- 72.036 <469> Moderne bouwkunst. Architectuur van de 20e eeuw--Portugal --- Moderne bouwkunst. Architectuur van de 20e eeuw--Portugal --- Architecten. Stedenbouwkundigen A - Z --- Siza, Alvaro --- -Psychology --- Architecture --- architects --- Vieira, Alvaro Siza --- Portugal --- -Siza, Alvaro

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Cities and towns --- City planning --- Sociology, Urban --- Growth.

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" La photographie à développement instantané accompagne Andréï Tarkovski dans la dernière partie de son œuvre : en Russie lorsqu'il mûrit la décision de quitter pour toujours sa patrie, et en Italie, lorsqu'il tourne avec Tonino Guerra Temps de voyage et Nostalghia, en cherchant un lieu où se construire une demeure rien que pour lui, une maison pouvant accueillir non seulement sa femme Larissa, en exil avec lui, mais aussi son fils Andreï et son chien Dak, restés douloureusement loin, otages du pouvoir soviétique. Ces images en couleur sont encore plus petites que celles en noir et blanc que renferme l'agenda des souvenirs ; mais c'est précisément de cette petite dimension, à la limite extrême de la visibilité, que jaillissent toute la force et la douceur de la lumière qui les a modelées à travers les yeux et le cœur de l'auteur, en demandant l'humble geste de se rapprocher et de se pencher vers elles avec attention. " Giovanni Chiaramonte.

Réalisateurs de cinéma --- Tarkovskij, Andrej Arsenʹevič, --- Contribution à la photographie --- Tarkovskij, Andrej Arsenʹevič --- Contribution à la photographie. --- 791 TARKOVSKY, ANDREI --- 791.43 <47> --- 791.43 <47> Filmkunst. Films. Cinema--Rusland. Sovjet-Unie --- Filmkunst. Films. Cinema--Rusland. Sovjet-Unie --- Тарковский, Андрей Арсеньевич --- Tarkovskiĭ, Andreĭ Arsenʹevich --- Тарковский, Андрей Арсеньевич, --- Tarkowskij, Andrej, --- Tarkovszkij, Andrej --- Тарковский, Анд. Арсеньевич, --- Tarkovskiĭ, And. Arsenʹevich, --- Tarkovszkij, Andrej, --- Tarkovsky, Andrei, --- Tarkovskij, Andrej, --- Tarkovsky, Andrey, --- Tarkovski, Andrei, --- Tarkovskij, Andrei, --- Tārkūfiskī, --- Tārkūfiskī, Āndrī Ārsīnivich, --- Trakovskii, Andrei Arsenevich, --- تارکوفسکى، آندرى آرسينويچ, --- Tarkowski, Andriej,

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Catalogue of the exhibition ‘Marco Zanuso Alessandro Mendini Design and architecture’ which is dedicated to the two great masters of Italian design at the ADI Design Museum Milano.It’s an homage to the different attitudes of Zanuso and Mendini, which were linked by the same determination to highlight the relationship between design and architecture. The book offers a comparison of Mendini’s postmodern and Zanuso’s modernist visions: two extremely different ways of doing design which were somehow complementary. On the one hand, there is Mendini’s attitude which offers a critical demonstration of one’s own work; on the other hand, there is Zanuso’s belief in the capacity of persuasion in the work itself. Divided into 12 themes, images and quotes from interviews and writings help us understand the relationship which links the two methods.Thus, among references, comparisons and influences, the catalog traces the exhibition’s emotional journey with the addition, from April, of a special edition which includes photos of the exhibition designed by Giovanni Chiaramonte.(after Design Best Magazine)

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In 1984, Giovanni Chiaramonte photographed Álvaro Siza's building in Berlin, on whose façade some young people had written Bonjour Tristesse. The image was published on the cover of the magazine Lotus International. The following year, Siza and Chiaramonte met in Évora, on the occasion of a new series by the Italian photographer featuring the buildings of the great Portuguese architect. It marked the beginning of a long friendship and a shared reflection on architecture, photography, and urban life. The Measure of the West presents a selection of sixty drawings by Siza and forty photographs taken by Chiaramonte in cities around the world. They make up two parallel routes that lead to the discovery of the shape of the modern city – always hanging in the balance between proportion, in which civilization can develop, and disproportion, in which civilization can go astray. Although animated by different intentions, these sketches and photographs appear as coherent traces of the same design, guided by the same desire to see, discover, understand, and learn. The differences between the black and white strokes of the drawings and the colour of the photographs disappear. Short texts, including thoughts on architecture, photography, drawing, representation, and nature, enrich a "poem of change" taking place in an era of globalization.

Cities and towns in art. --- Villages in art --- Siza, Álvaro, --- Chiaramonte, Giovanni, --- Siza Vieira, Álvaro, --- Vieira, Álvaro Siza, --- Melo Siza Vieira, Álvaro Joaquim de, --- Travel.