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Homosexuality was and still is thought to be quintessentially 'un-African'. Yet in this book Chantal Zabus examines the anthropological, cultural and literary representations of male and female same-sex desire in a pan-African context from the nineteenth century to the present. Reaching back to early colonial contacts between Europe and Africa, and covering a broad geographical spectrum, along a north-south axis from Mali to South Africa and an east-west axis from Senegal to Kenya, here is a comparative approach encompassing two colonial languages (English and French) and some African languages. 'Out in Africa' charts developments in Sub-Saharan African texts and contexts through the work of 7 colonial writers and some 25 postcolonial writers. These texts grow in complexity from roughly the 1860s, through the 1990s with the advent of queer theory, up to 2010. The author identifies those texts that present, in a subterraneous way at first and then with increased confidence, homosexuality-as-an-identity rather than an occasional or ritualized practice, as was the case in the early ethnographic imagination. The work sketches out an evolutionary pattern in representing male and female same-sex desire in the novel and other texts, as well as in the cultural and political contexts that oppose such desires. Chantal Zabus holds the IUF [Institut universitaire de France] Chair of Comparative Postcolonial Literatures and Gender Studies at the University Paris 13 and at the Universities Sorbonne-Paris-Cité, France I. She is author of 'Between Rites and Rights'; 'The African Palimpsest: Indigenization of Language in the West African Europhone Novel', and 'Tempests after Shakespeare'.She is presently Editor-in-Chief of the on-line journal 'Postcolonial Text'.

Homosexualité --- Homosexualité et littérature --- Littérature africaine de langue française --- Littérature africaine de langue anglaise --- Homosexuality in literature. --- Homosexuality and literature --- Africa, Sub-Saharan --- African literature (English) --- African literature (French) --- Dans la littérature --- Histoire et critique --- History --- Literatures --- History and criticism. --- Homosexuality and literature--Africa Sub-Saharan--History--19th century. --- Homosexuality and literature--Africa Sub-Saharan--History--20th century. --- Homosexuality and literature--Africa Sub-Saharan--History--21st century. --- Africa Sub-Saharan--Literatures--History and criticism. --- Literature.--ukslc --- #SBIB:39A5 --- #SBIB:39A73 --- #SBIB:613.88H31 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Homoseksualiteit, biseksualiteit --- Literature. --- African literature (English). --- African literature (French). --- Africa Sub-Saharan --- 1800-2099. --- Africa, Sub-Saharan. --- History and criticism --- Dans la littérature. --- Histoire et critique. --- Homosexuality in literature --- Homosexuality and literature--Africa Sub-Saharan--History--19th century --- Homosexuality and literature--Africa Sub-Saharan--History--20th century --- Homosexuality and literature--Africa Sub-Saharan--History--21st century --- Africa Sub-Saharan--Literatures--History and criticism --- African literature --- Homosexuality --- Geschichte 1860-2010. --- Subsaharisches Afrika. --- Same-sex attraction --- Sexual orientation --- Bisexuality --- Black literature (African) --- Authors, African --- Afrika südlich der Sahara --- Schwarzafrika --- Subsahara --- Subsahara-Afrika --- Afrika --- Africa. --- English. --- French. --- anthropology. --- colonial contacts. --- culture. --- homophobia. --- literature. --- pan-African. --- queer theory. --- same-sex desire. --- Homosexualité --- Homosexualité et littérature --- Littérature africaine de langue française --- Littérature africaine de langue anglaise --- Dans la littérature.

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Uniting a sense of the political dimensions of language appropriation with a serious, yet accessible linguistic terminology, The African Palimpsest examines the strategies of ‘indigenization’ whereby West African writers have made their literary English or French distinctively ‘African’. Through the apt metaphor of the palimpsest – a surface that has been written on, written over, partially erased and written over again – the book examines such well-known West African writers as Achebe, Armah, Ekwensi, Kourouma, Okara, Saro–Wiwa, Soyinka and Tutuola as well as lesser-known writers from francophone and anglophone Africa. Providing a great variety of case-studies in Nigerian Pidgin, Akan, Igbo, Maninka, Yoruba, Wolof and other African languages, the book also clarifies the vital interface between Europhone African writing and the new outlets for African artistic expression in (auto-)translation, broadcast television, radio and film.

Sociolinguistics --- West African fiction --- West African literature --- Language and languages --- Language and society --- Society and language --- Sociology of language --- Language and culture --- Linguistics --- Sociology --- Integrational linguistics (Oxford school) --- History and criticism. --- Social aspects --- Sociological aspects --- 820 <100> --- 820 <100> Engelse literatuur: Commonwealth --- Engelse literatuur: Commonwealth --- Diglossie --- Diglossie dans la litterature --- Linguistique et litterature --- Pidgin (langues) --- Pidgin-English (langue)

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Secrecy in literature --- Literature --- Secret dans la littérature --- Littérature --- History and criticism. --- Histoire et critique

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