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This book questions the artistic, aesthetic, political and ethical legacy of E. M. Forster's novels. It covers Forster's literary, cinematic and musical legacies across the twentieth and twenty-first centuries, and deal with many authors, such as Melville, Isherwood, Hollinghurst and Kureishi.
Forster, E. M. --- Álvarez --- Beatriz --- British --- Cavalié --- Connect --- E.M. Forster --- Elsa --- englishness --- Faedo --- Fiction --- Forster's --- gay studies --- Ibáñez --- intertextuality --- José --- Laurent --- Legacies --- María --- Mellet --- Penas --- postcolonial studies --- rewritings
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Over the last few decades, in the wake of the ‘Ethical Turn’, contemporary literature has been examined through the prism of the ethics of alterity. Yet, this may not be consistently the case with Victorian and Modernist literature, since relatively few of the authors of those periods have elicited such critical and theoretical scrutiny. The articles in this volume set off to re-read Victorian and Modernist literature in the light of the ethics of alterity and investigate whether the post-Auschwitz, contemporary period breaks away from or favours lines of continuity with the productions of the earlier era. It also strives to address works which do not belong to the canon, focusing alternately on great authors and less known artists, on what has been termed ‘minor’ texts or genres that are less visible than the novel. Approaching literature by examining the relations between ethics and aesthetics, even while adopting an ethical approach, helps the authors in this volume contribute to revising the contemporary, Modernist and Victorian canon in English Literature.
Literature --- modernism --- ethics --- politics --- alterity --- British arts --- contemporary art
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Cet ouvrage condense l’histoire d’une belle aventure qui se poursuit depuis dix ans. Ses différentes contributions ont, pour la plupart, vu le jour sur internet, dans le carnet de recherche Com’en histoire créé en 2013. Le but est de faire dialoguer des chercheuses et chercheurs, spécialisés en sciences humaines et sociales, et des professionnels œuvrant dans le monde muséal et patrimonial. Le patrimoine est ici considéré à l’intersection des approches historiennes et communicationnelles, créant un fructueux échange sur des thématiques telles que la mise en récit de l’histoire, les nouvelles formes de médiation muséales, l’usage et la réception des reconstitutions historiques et la circulation de l’histoire dans l’espace public.
Arts & Humanities --- Communication --- muséologie --- info-communication --- patrimoine --- médiation --- publics
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