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Premier livre en anglais sur le travail de l'architecte français Fernand Pouillon (1912-1986 ), il comprend l'analyse de Jacques Lucan sur l'urbanisme d'après-guerre et sa critique du modernisme dominant, ainsi que les Ordonnances de l'architecte (1953). Cet ouvrage est complété par des dessins et archives relatifs aux projets et réalisations de Fernand Pouillon en banlieue parisienne (Pantin, Montrouge, Meudon-la-Forêt et Boulogne-Billancourt).

Pouillon, Fernand --- Architectuur ; stedenbouw ; 20ste eeuw ; F. Pouillon --- Architectuur ; Frankrijk ; Algerië ; Iran ; 20ste eeuw --- Architectuur en engagement --- Wederopbouw ; Frankrijk --- Appartementen ; flats --- Architectuur ; voor de armen --- Pouillon, Fernand 1912-1986 (°Cancon, Frankrijk) --- High-rise apartment buildings --- High apartment buildings --- Multistory housing --- Tall buildings --- Pouillon, Fernand. --- Selections. --- Pouillon, Fernand, --- Architecture --- Criticism and interpretation. --- 72.07 --- Sociale woningbouw --- Architecture, Modern --- Apartment houses --- Architecten. Stedenbouwkundigen A - Z --- History --- Pierre --- Façade --- Modern movement (Architecture) --- Mouvement moderne (Architecture) --- Criticism and interpretation --- Catalogs. --- France --- architects

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Architecture, Modern --- Architecture --- Gardens, British --- Landscape architecture --- Landscape painting, English --- Mansions --- Philosophy --- History

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Religious architecture --- Schwarz, Rudolf

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The product of a continuous European architectural and intellectual practice that bridged the Second World War, the work of Rudolf Schwarz (1897?1961) allows a deeper understanding of post-war German architecture. This book examines nine of his religious and secular buildings sited in the Rhineland, which are presented through new survey drawings and photographs. These are accompanied by Schwarz?s project descriptions and his lecture ?Architecture of Our Times? from 1958, which contextualizes his approach. Essays by Wolfgang Pehnt and an interview with Schwarz's wife, the architect Maria Schwarz, provide further insight into this complex oeuvre.

Architects --- Architecture --- Architecture, Modern --- City planners --- City planning --- History --- Schwarz, Rudolf, --- Criticism and interpretation. --- Musée --- Eglise --- Auditorium --- Schwarz, Rudolf --- 72.07 --- Cities and towns --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Town planners --- Urbanists --- Planners --- Architecten. Stedenbouwkundigen --- Government policy --- Management --- 726.54(430) --- Schwarz, Rudolf 1897-1961 (°Straatsburg, Frankrijk) --- Architectuur ; Duitsland ; 20ste eeuw ; R. Schwarz --- Wederopbouw ; Duitsland ; Keulen --- Modernisme --- Schwarz, Maria --- Religieuze architectuur ; kerken ; Duitsland

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This second volume in Caruso St John’s Collected Works traces an interlacing set of themes through the celebrated practice’s work over the first twelve years of the twenty-first century. Their unique approach to history is revealed as a rejection of the myth of relentless novelty in favour of an understanding of the past as present and an interest in working with the existing. The influences of Milan, Chicago, and Rome on understandings of the city are explored, as well as the use of ornament and the place of Switzerland in shaping the practice’s evolving trajectory. Throughout these contexts, collaborations with contemporary artists including Thomas Demand and Damien Hirst continue to shape their relations to the materiality and drama of space. This volume encompasses some of Caruso St John’s most renowned projects, including works on historic buildings such as Tate Britain and the Barbican and new projects such as Hirst’s Newport Street Gallery and Europaallee Mixed-use Building in Zurich. These are presented along with exhibition designs, competition entries, and lesser-known projects, all with an unprecedented range of materials including unseen drawings, references, and new commentaries. The cultural environment in which this work took place is captured in reviews and essays from the period and a diverse range of writings that informed Adam Caruso’s and Peter St John’s thinking and teaching, from T. S. Eliot to Rosalind Krauss to Louis Sullivan. Between these projects and lessons, references and buildings emerges an invitation to attend to the ‘alchemy of the everyday’ – one with the potential to transform our understanding of the world and the ways we continue to build it.

Architecture --- History --- Caruso, Adam, --- St John, Peter, --- Caruso St John, Architects (Architectural firm).