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Film --- anno 1940-1949 --- anno 1930-1939 --- Germany --- National socialism and motion pictures. --- Motion pictures --- Nazisme et cinéma --- History. --- Nazisme et cinéma --- National socialism and motion pictures --- Motion pictures and national socialism --- History
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Women consumers --- Consumer behavior --- Consommatrices --- Consommateurs --- History. --- Histoire --- Comportement --- Germany --- History --- Women consumers - Germany - History. --- Consumer behavior - Germany - History.
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AIDS (Disease) --- -AIDS (Disease) --- -614.44 --- 616.97 --- 351.774 --- Acquired immune deficiency syndrome --- Acquired immunodeficiency syndrome --- Acquired immunological deficiency syndrome --- HIV infections --- Immunological deficiency syndromes --- Virus-induced immunosuppression --- Social aspects --- Political aspects --- Political aspects. --- Social aspects. --- 614.44
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Feminism --- Feminism. --- Frau. --- Geschlechterrolle. --- Sexualisierung. --- Women --- Women --- Socialization --- Socialization.
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This highly innovative volume provides the first investigation of how political legitimacy operated amid the upheavals of Europe in the 1930s and 1940s. It argues that legitimacy lay not with rulers, and still less in the barrel of a gun, but in the values about what constituted "good" government. Exploring the domains of political discourse, state propaganda and high and low culture, it explains how in the aftermath of German victory in 1939-40, a wide range of contenders, including bureaucrats, collaborators, Communists and other resistance groups, all claimed the right to rule. As an important contribution to the political culture of wartime Europe, this volume will be essential reading for both political scientists and twentieth-century historians.
History of Europe --- anno 1940-1949 --- anno 1930-1939 --- Legitimacy of governments --- Political culture --- Europe --- Politics and government --- Culture --- Political science --- Governments, Legitimacy of --- Legitimacy (Constitutional law) --- Consensus (Social sciences) --- Revolutions --- Sovereignty --- State, The --- General will --- Political stability --- Regime change --- Légitimité (science politique) --- Représentation politique --- Politique et gouvernement --- Légitimité (science politique) --- Représentation politique
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Béla Balázs’s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs’s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution – alongside such contemporaries as Arnheim, Kracauer and Benjamin – to critical debate on film in the ‘golden age’ of the Weimar silents.
Film --- Motion pictures. --- Cinéma --- Filmtheorie --- Filmtheorie. --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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In academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural spaces and geographical territories. Often lost in such accounts, however, is the experiential dimension of mapping as an aesthetic practice with determinate social, cultural and political effects. This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. Proposing an approach to mapping through decolonial aesthetics and poetic thinking, the three essays in this volume help define a film studies perspective on mapping as a practice that structures political and aesthetic regimes, organizes and communicates shared realities, but also enables dissenting reconfigurations of concretely experienced worlds.
SOCIAL SCIENCE / Media Studies. --- Mapping. --- cinematic experience. --- embodied mobilities. --- postcolonialism.
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In academic and public discourse, 'mapping' has become a ubiquitous term for epistemic practices ranging from surveys of scholarly fields to processes of data collection, ordering and visualization. Mapping captures patterns of distribution, segregation and hierarchy across socio-cultural spaces and geographical territories. Often lost in such accounts, however, is the experiential dimension of mapping as an aesthetic practice with determinate social, cultural and political effects. This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. Proposing an approach to mapping through decolonial aesthetics and poetic thinking, the three essays in this volume help define a film studies perspective on mapping as a practice that structures political and aesthetic regimes, organizes and communicates shared realities, but also enables dissenting reconfigurations of concretely experienced worlds.
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