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" ... offers a chronological account of political engagement in works by early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders.
Painting, Flemish. --- Painting --- Symbolism in art --- Painting, Dutch. --- Peinture flamande --- Peinture --- Symbolisme dans l'art --- Peinture hollandaise --- Political aspects --- Aspect politique --- Snijders, Frans --- Medici, María de --- politiek --- schilderkunst --- symbolen --- huwelijk --- geweld --- vrouwen --- dieren --- iconografie --- Eyck, Jan van --- Brueghel, Pieter (de Oude) --- Rubens, Peter Paul --- 15de eeuw --- 16de eeuw --- 17de eeuw --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- Painting, Flemish --- Painting, Dutch --- Dutch painting --- Allegory (Art) --- Signs and symbols in art --- Art --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Flemish painting --- huwelijk, echtpaar, ‘matrimonium’ --- kracht, geweld --- vrouw --- De' Medici, María (koningin van Frankrijk) --- politiek. --- schilderkunst. --- symbolen. --- huwelijk, echtpaar, ‘matrimonium’. --- kracht, geweld. --- vrouw. --- dieren. --- iconografie. --- van Eyck, Jan. --- Bruegel, Pieter I. --- Rubens, Peter Paul. --- Snijders, Frans. --- De' Medici, María (koningin van Frankrijk). --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden. --- van Eyck, Jan --- Bruegel, Pieter I
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"Hieronymus Bosch's (c. 1450-1516) 'Garden of Earthly Delights' has elicited a sense of wonder for centuries. Over ten feet long and seven feet tall, it demands that we step back to take it in, while its surface, intricately covered with fantastical creatures in dazzling detail, draws us closer. In this highly original reassessment, Margaret D. Carroll reads the Garden as a speculation about the origin of the cosmos, the life-history of earth, and the transformation of humankind from the first age of world history to the last. Upending traditional interpretations of the painting as a moralizing depiction of God's wrath, human sinfulness, and demonic agency, Carroll argues that it represents Bosch's exploration of progressive changes in the human condition and the natural world. Extensively researched and beautifully illustrated, this groundbreaking secular analysis draws on new findings about Bosch's idiosyncratic painting technique, his curiosity about natural history, his connections to the Burgundian court, and his experience of contemporary politics. The book offers fresh insights into the artist and his most beloved and elusive painting."--
Iconography --- Painting --- painting [image-making] --- iconology --- The garden of delights --- Bosch, Jeroen --- Bosch, Hieronymus, --- Garden of delights (Bosch, Hieronymus) --- van Aken, Jheronimus --- Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Hieronymus van Aken, --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco --- Criticism and interpretation.
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