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Edwardian London Through Japanese Eyes considers the career of the Japanese artist Yoshio Markino (1869-1956), a prominent figure on the early twentieth-century London art scene whose popular illustrations of British life adroitly blended stylistic elements of East and West. He established his reputation with watercolors for the avant-garde Studio magazine and attained success with The Colour of London (1907), the book that offered, in word and picture, his outsider’s response to the modern Edwardian metropolis. Three years later he recounted his British experiences in an admired autobiography aptly titled A Japanese Artist in London . Here, and in later publications, Markino offered a distinctively Japanese perspective on European life that won him recognition and fame in a Britain that was actively engaging with pro-Western Meiji Japan. Based on a wide range of unpublished manuscripts and Edwardian commentary, this lavishly illustrated book provides a close examination of over 150 examples of his art as well analysis of his writings in English that covered topics as wide-ranging as the English and Japanese theater, women’s suffrage, current events in the Far East and observations on traditional Asian art as well as Western Post-Impressionism. Edwardian London Through Japanese Eyes , the first scholarly study of this neglected artist, demonstrates how Markino became an agent of cross-cultural understanding whose beautiful and accessible work provided fresh insights into the Anglo-Japanese relationship during the early years of the twentieth century.
City and town life --- City life --- Town life --- Urban life --- Sociology, Urban --- History --- Makino, Yoshio, --- Markino, Yoshio, --- Markino, Heiji, --- 牧野義雄, --- Criticism and interpretation. --- London (England) --- Description and travel. --- Social life and customs --- Description --- J2284.70 --- J4129 --- J6008.70 --- J6008.80 --- Japan: Genealogy and biography -- biographies -- kindai (1850s- ), bakumatsu, meiji, taishō --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization --- Japan: Art and antiquities -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Art and antiquities -- history -- Gendai (1926- ), Shōwa period, 20th century --- Makino, Yoshio --- 牧野義雄
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76 <520> "17/18" --- J6213.70 --- Grafische kunsten. Grafiek. Prentkunst--Japan--18e en 19e eeuw. Periode 1700-1899 --- Japan: Art and antiquities -- painting and drawing -- ukiyo-e -- individual artists -- Katsushika Hokusai --- Art, Japanese --- Artists --- Katsushika, Hokusai, --- Criticism and interpretation. --- 76 <520> "17/18" Grafische kunsten. Grafiek. Prentkunst--Japan--18e en 19e eeuw. Periode 1700-1899 --- Japanese art --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Katsushika, Iitsu, --- Katsushika, Taito, --- Hokusai, --- Hokusai Tokimasa, --- Katsukawa, Shunrō, --- Hishikawa, Sōri, --- Raishin, --- Shunrō, --- Der vom Malen Besessene, --- Gwakyōjin, --- Gakyōjin, --- Gakyō Rōjin Manji, --- Der Mensch, der vom Zeichnen besessen ist, --- Khokusaĭ, --- Kat︠s︡usik, Khokusaĭ, --- Tokimasa, --- Tokitarō Kakō, --- Ko-shih, Pei-chai, --- Manji Rōjin, --- Taito, --- Zenhokusai, --- Miuraya, Hachiemon, --- Kyōrian Bainen, --- Tawaraya, Sōri, --- הוקוסאי --- קאטסושיקה, הוקוסי, --- 北斎, --- 萬飾北齊, --- 葛節北斎, --- 葛触北斎, --- 葛飾北斉, --- 葛飾北斎, --- 葛飾北濟, --- 葛飾北齊, --- 葛飾北齋, --- 葛饰北斋, --- 近藤市太郎, --- Katsushika, Hokusai --- Criticism and interpretation --- Japan --- Art [Japanese ] --- Edo period, 1600-1868 --- 18th century --- 19th century --- Vom Malen Besessener, --- Geshi, Beizhai, --- Mensch, der vom Zeichnen besessen ist, --- Katsushika, Manji Rōjin, --- 葛飾為一, --- 葛飾戴斗, --- 前北齋卍老人, --- 葛飾卍老人, --- Hokusai --- 葛飾, 北齋 --- 葛飾, 北齊 --- 中島, 時太郎 --- 中島, 鐵藏 --- 中島, 鉄蔵 --- 葛飾, 戴斗 --- 前北斎, 戴斗 --- 前北斎, 爲一 --- 卍老人 --- 前北斎 --- 画狂老人 --- 狂人卍翁 --- 時太郎可候 --- 勝川, 春朗 --- 北齋辰政$d
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Art and literature --- Calligraphy, Japanese --- Surimono --- J6013.53 --- J6212.20 --- Suri-mono --- Miniature prints --- Ukiyoe --- Japanese calligraphy --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- History --- Private collections --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in Europe -- Switzerland --- Japan: Art and antiquities -- painting and drawing -- ukiyo-e -- themes and subjects -- poetry, literature, surimono --- Lusy, Marino, --- Art collections --- Museum Rietberg --- Rietberg Museum --- Museum Rietberg Zürich --- Zürich. --- Musée Rietberg-Zurich --- Chūrihhi Rītoberugu Bijutsukan --- Rītoberugu Bijutsukan --- Exhibitions
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Painting, Japanese --- Painting --- Private collections --- Fishbein, T. Richard, --- Bender, Estelle --- Art collections --- Exhibitions --- Japanese printmaking styles --- Edo [language] --- Japanese [culture or style] --- Heian --- Kano School --- Tosa School
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Hiroshige: Nature and the City is the most extensive English-language overview to date on the life and work of the celebrated Japanese ukiyo-e print designer, Utagawa Hiroshige (1797–1858), and it draws from the largest private collection of Hiroshige’s prints outside Japan, the Alan Medaugh collection. The publication includes five essays by leading scholars in the field. Rhiannon Paget provides an in-depth introduction to Hiroshige’s life and the evolution of his art. John T. Carpenter delves into the rich world of poetry as visualized in the artist’s oeuvre of the natural world. Translations of the poems that appear on a number of the Hiroshige’s works have also been transcribed and translated. Andreas Marks writes on the artist’s collaboration with other print designers and on the publishers who produced his prints, while Shiho Sasaki explores the colorants in Hiroshige’s prints and the artist’s use of color as an expressive tool. These essays are followed by an annotated catalogue of five hundred works in the Medaugh collection compiled and written by Jim Dwinger. Divided into nine categories—Early Works, Landscapes, The Natural World, Narrative and Humor, Fan Prints, Wrappers, Triptychs, Harimaze-e, and Legacy—this section offers a comprehensive view of Hiroshige’s creative breadth. His urban views of Edo and his famous images of the locations along the Tōkaidō and Kisokaidō highways offer a glimpse of city life and the countryside of Japan in the first half of the nineteenth century. The catalogue also discusses the differences between variant editions of Hiroshige’s prints, thus providing valuable comparative material for scholars, dealers, and collectors.
Graphic arts --- catalogs [documents] --- prints [visual works] --- wood engravings [prints] --- art collections --- views [visual works] --- Japanese [culture or style] --- Hiroshige
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verzameling Frank Lloyd Wright --- Surimono --- Wright, Frank Lloyd. --- 19de eeuw. --- Azië. --- Japan.
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J6008.60 --- J6015.11 --- Japanse kunst ; Edo periode ; 1600-1868 --- Grafiek ; houtsneden ; Japan --- 7.032.14 --- (069) --- Japan: Art and antiquities -- history -- Kinsei, Edo, Tokugawa, early modern (1600-1867) --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in North America -- United States --- Kunstgeschiedenis ; Indische en Zuidoost -Aziatische, Sri Lankese kunst --- (Musea. Collecties) --- Exhibitions --- Art [Japanese ] --- Edo period, 1600-1868
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