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Method (Acting). --- Method acting. --- Stanislavsky, Konstantin, --- Criticism and interpretation.
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PERFORMING ARTS --- Acting & Auditioning --- Motion picture acting --- Film --- Music, Dance, Drama & Film --- Film acting --- Moving-picture acting --- Acting --- Motion picture acting.
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This book paints a vivid portrait of Anton Chekhov-a Russian writer whose elusive personality and richly detailed plays have left an indelible imprint upon the world's theatre. Every page reveals the joys and difficulties of his short life, his comic sensibility, deep compassion, and often puzzling use of dramatic style and genre. Carnicke demystifies Chekhov's plays-forged from his literary innovations, avid theatergoing, love of vaudeville, and loathing of melodrama. She interweaves biographical and cultural information with insightful case studies and close analysis to leave her reader with a full and fresh perspective on an artist who is as foundational to theatrical traditions as are Shakespeare and Stanislavsky.
Drama. --- Theater. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Literature --- Dialogue --- Philosophy --- Chekhov, Anton Pavlovich, --- Чехов, Антон Павлович, --- Chehov, Anton, --- Chekov, Anton, --- Tschechow, Anton Pawlowits, --- Tchekhov, Anton, --- Czechow, Antoni, --- Tsjechov, Anton, --- Csehov, Anton Pavlovics, --- Cecov, Anton, --- Čechov, Anton Pavlovič, --- Chekhonte, A., --- Chʻi-ho-fu, --- Tjechov, Anton Pavlovitj, --- Cehov, Anton Pavlović, --- Tchekoff, Anton, --- Čexov, Anton, --- Чехов, А. П. --- Chekhov, A. P. --- Cehov, Anton Pavlovici, --- Chʻi-ho-fu, An-tung, --- Chéjov, Antón, --- Чехов, А. --- Chekhov, A. --- Chʻi-kʻo-fu, --- Tshīkūf, --- Tshīkūf, Anṭūn, --- Tšehov, A. P., --- Ts'ekhov, --- Ts'ekhov, Anṭon P., --- Tchekov, A. P., --- Tsjekhov, Anton, --- Cekhava, Enṭana, --- Čechov, A. P., --- Cekhovha, Ayāṇṭan, --- Богемский, А., --- Bogemskiĭ, A., --- Ts'ekhov, A. P., --- Tjekhov, Anton, --- טשחוב, אנטון פװלובוץ׳, --- טשעבאוו, אנטאן, --- טשעחאוו, אנטאן, --- טשעחאוו, א. --- טשעכאָװ, אנטאָן --- טשעכאוו, אנטאן --- טשעכאוו, אנטאן פּאוולאוויטש, --- טשעכאוו, אנטאן, --- טשעכאוו, א. --- טשעכאוו, א. פ. --- טשעכאוו, א. פ., --- טשעכאוו, א., --- טשעכאװ, אנטאן, --- טשעכאװ, א. --- טשעכאװ, א.פ --- טשעכאװ, א.פ., --- צ׳חוב, אנטון --- צ׳חוב, אנטון, --- צ׳חוב, א. פ. --- צ׳יחוב, א. פ. --- צ׳יחוב, א. פ., --- צ׳כוב --- צ׳כוב, אנטוון --- צ׳כוב, אנטון --- צ׳כוב, אנטון פבלוביץ׳ --- צ׳כוב, אנטון פ. --- צ׳כוב, אנתון פאבלוביץ, --- צ׳כוב, א.פ, --- צ'כוב, אנטון, --- שטעכאװ, א. פ. --- چخڤ، انتن پڤلڤچ, --- 契珂夫, --- Tsechōph, Anton, --- Cīk̲h̲auf, Antūn, --- Antūn Cīk̲h̲auf, --- Chikhūf, Āntuvān, --- Chikhūf, Āntwān, --- چخوف، آنتوان --- Criticism and interpretation. --- Tsjechov, Anton --- Tsjechow, Anton P. --- Čechov, Anton Pavlovič --- Chekhov, Anton Pavlovich --- Tchekhov, Anton --- Tchekhov, Antone --- Tschechow, Anton --- チェーホフ, アントーン・パーヴロヴィチ --- 체호프, 안톤 --- Чехов, Антон Павлович --- 契诃夫 --- چیخوف
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"Stanislavsky's system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century. The Routledge Companion to Stanislavsky is an essential book for students and scholars alike, providing the first overview of the field for the 21st century. An important feature of this book is the balance between Stanislavsky's theory and practice, as international contributors present scholarly and artistic interpretations of his work. With chapters including academic essays and personal narratives, the Companion is divided into four clear parts, exploring Stanislavsky on stage, as an acting teacher, as a theorist and finally as a theatre practitioner. Bringing together a dazzling selection of original scholarship, notable contributions include: Anatoly Smeliansky on Stanislavsky's letters William D. Gunn on staging ideology at the Moscow Art TheatreSharon Marie Carnicke and David Rosen on opera Rosemary Malague on the feminist perspective of new translations W.B. Worthen on cognitive science Julia Listengarten on the avant-garde David Krasner on the System in America and Dennis Beck on Stanislavsky's legacy in non-realistic theatre R. Andrew White is Associate Professor of Theatre at Valparaiso University, where he annually directs productions. He has an MFA in Acting from Carnegie Mellon University and the Moscow Art Theatre School, and has worked as an actor at a variety of theatres in the United States. In addition, his scholarship has appeared in edited works published by Routledge and Palgrave Macmillan, as well as in top American journals including Theatre Survey, TDR/The Drama Review, and New England Theatre Journal"--
Method (Acting) --- Méthode (Art dramatique) --- Stanislavsky, Konstantin, --- Method acting. --- Stanislavskij, Konstantin Sergeevič, --- Arts du spectacle --- Stanislavskij, Konstantin Sergeevič --- Method acting --- Arts du spectacle. --- Stanislavsky, Konstantin, - 1863-1938 --- Stanislavskij, Konstantin Sergeevič
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