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She explores how, over time, their reception has evinced ongoing public resistance to those who critique family values.
Influence (Literary, artistic, etc.) --- Authors, English --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- English authors --- Family relationships. --- Wollstonecraft, Mary, --- Godwin, William, --- Shelley, Mary Wollstonecraft, --- Criticism and interpretation. --- England --- Social life and customs --- Baldwin, Edward, --- Godvin, Vilʹi︠a︡m, --- Godvin, Viljem, --- Godvin, Uilʹi︠a︡m, --- Author of Caleb Williams, --- Caleb Williams, Author of, --- Marcliffe, Theophilius, --- Godwin, Wm. --- Shelley, Mary Wollstonecraft Godwin, --- Shelli, Mėri, --- Shelley, --- Shelley, Percy Bysshe, --- Shelley, Mary, --- Shelley, Maria, --- שלי, מרי, --- Wollstonecraft, Mary --- Cresswick, --- Godwin, Mary Wollstonecraft, --- ゴドウィン, ウイリアム
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This collection of essays is the first book to take up the urgent issue of torture from the array of approaches offered by the arts and humanities. In the post-9/11 era, where we are once again compelled to entertain debates about the legality of torture, this volume speaks about the practice in an effort to challenge the surprisingly widespread acceptance of state-sanctioned torture among Americans, including academics and the media–entertainment complex. Speaking about Torture also claims that the concepts and techniques practiced in the humanities have a special contribution to make to this debate, going beyond what is usually deemed a matter of policy for experts in government and the social sciences. It contends that the way one speaks about torture—including that one speaks about it—is key to comprehending, legislating, and eradicating torture. That is, we cannot discuss torture without taking into account the assaults on truth, memory, subjectivity, and language that the humanities theorize and that the experience of torture perpetuates. Such accounts are crucial to framing the silencing and demonizing that accompany the practice and representation of torture.Written by scholars in literary analysis, philosophy, history, film and media studies, musicology, and art history working in the United States, Europe, and the Middle East, the essays in this volume speak from a conviction that torture does not work to elicit truth, secure justice, or maintain security. They engage in various ways with the limits that torture imposes on language, on subjects and community, and on governmental officials, while also confronting the complicity of artists and humanists in torture through their silence, forms of silencing, and classic means of representation. Acknowledging this history is central to the volume’s advocacy of speaking about torture through the forms of witness offered and summoned by the humanities.
Torture in literature. --- Torture in mass media. --- Mass media --- Abu Ghraib. --- Guantánamo. --- Torture. --- censorship. --- representation. --- trauma. --- witnessing.
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