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Theatrical science --- anno 1970-1979 --- anno 1980-1989 --- United States --- Feminist theater --- Feminism and theater --- Theatrical companies --- History --- History. --- Feminist theater - United States - History. --- Feminism and theater - United States. --- Theatrical companies - United States. --- Feminist theater - United States - History --- Feminism and theater - United States --- Theatrical companies - United States --- United States of America
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Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens' ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (""Civic Revivalist"" Charles Zueblin speaking on ""Militancy and Morals""), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players' cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking
Popular culture --- Chautauquas. --- Education --- Lectures and lecturing --- Lyceums --- Theater --- History
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How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and procedures that serve as the foundational ideas that guide all historians in their endeavors. Unified by their investigations into how best to understand and then represent the past, this diverse group of scholars in the field of theatre history and performance studies offers insights into the abiding issues that all historians face in the task of
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