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Since Hesiod and throughout the history of Greek literature, idyllic places have often furnished the setting to poetical investitures and, more in general, to self-reflective moments in which authors question, correct, refound and even create literary genres. This is above all true for poetic genres, since several poets challenge the Hesiodic episode of Mount Helicon in order to define their own creations and produce their own manifestos, but it also applies to prose genres, starting at least with Plato’s Phaedrus, whose setting in the locus amoenus of the Ilissos River resonates in the works of several later writers. Joining the recent debate on the representation of space in ancient literature, this volume offers seven essays on the specific connection between the description of places and the renewal/foundation of Greek literary genres.
Greek literature --- Literary form --- Narration (Rhetoric) --- Littérature grecque --- Genres littéraires --- Narration --- History and criticism --- History --- Histoire et critique --- Congrès --- Histoire
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In 1991, Laura Slatkin published The Power of Thetis: Allusion and Interpretation in the Iliad, in which she argued that Homer knowingly situated the storyworld of the Iliad against the backdrop of an older world of mythos by which the events in the Iliad are explained and given traction. Slatkin’s focus was on Achilles’ mother, Thetis: an ostensibly marginal and powerless goddess, Thetis nevertheless drives the plot of the Iliad, being allusively credited with the power to uphold or challenge the rule of Zeus. Now, almost thirty years after Slatkin’s publication, this timely volume re-examines depictions and receptions of this ambiguous goddess, in works ranging from archaic Greek poetry to twenty-first century cinema. Twenty authors build upon Slatkin’s readings to explore Thetis and multiple roles she played in Western literature, art, material culture, religion, and myth. Ever the shapeshifter, Thetis has been and continues to be reconceptualised: supporter or opponent of Zeus’ regime, model bride or unwilling victim of Peleus’ rape, good mother or child-murderess, figure of comedy or monstrous witch. Hers is an enduring power of transformation, resonating within art and literature.
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