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Home, for me, was not a birthright, but an invention. It seems to me when we speak of home we are speaking of several things, often at once, muddled together into an uneasy stew. We say home and mean origins, we say home and mean belonging. These are two different things: where we come from, and where we are. Writing about belonging is not a simple task. Esi Edugyan chooses to intertwine fact and fiction, objective and subjective in an effort to find out if one can belong to more than one place, if home is just a place or if it can be an idea, a person, a memory, or a dream. How "home" changes, how it changes us, and how every farewell carries the promise of a return. Readers of Canadian literature, armchair travellers, and all citizens of the global village will enjoy her explorations and reflections, as we follow her from Ghana to Germany, from Toronto to Budapest, from Paris to New York.
Home --- Psychological aspects. --- Edugyan, Esi --- Travel. --- Canadian Literature / Essay.
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Playwright, novelist, polyglot, pianist, trickster Tomson Highway's Henry Kreisel Lecture on the importance of multilingualism.
Multilingualism and literature. --- Language and culture. --- Culture and language --- Culture --- Literature and multilingualism --- Literature --- Highway, Tomson, --- Canadian Literature / Essays.
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In March 2010 the Canadian Literature Centre hosted award-winning novelist and storyteller Eden Robinson at the 4th annual Henry Kreisel Lecture. Robinson shared an intimate look into the intricacies of family, culture, and place through her talk, "The Sasquatch at Home." Robinson's disarming honesty and wry irony shine through her depictions of her and her mother's trip to Graceland, the Potlatch where she and her sister received their Indian names, how her parents first met in Bella Bella (Waglisla, British Columbia) and a wilderness outing where she and her father try to get a look at b'gwus, the Sasquatch. Readers of memoir; Indigenous literatures, histories and cultures; and fans of Robinson's delightful, poignant, sometimes quirky tales will love The Sasquatch at Home.
Haisla Indians --- Storytelling --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Kitamat Indians --- Kitimat Indians --- Kitlope Indians --- Indians of North America --- Kwakiutl Indians --- Social life and customs. --- Performance --- Robinson, Eden. --- Robinson, Eden --- Robinson, Eden Victoria Lena --- Family. --- Canadian Literature / Essay.
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"Most of What Follows Is True is an examination of the complex relationship between fact and fiction, between the "real world" and the stories we tell to explain the world to ourselves. Drawing on his own experience appropriating historical characters to fictional ends, Michael Crummey brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take with the real world? Is there a point at which a fictionalization of history becomes a falsification of history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation."--
Historical fiction --- Biographical fiction --- Creative nonfiction --- Authorship --- Fiction
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