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Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Böll and Günter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of Übertreibungskünstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance for the rapidly changing multicultural landscape of Europe. Matthias Konzett is Associate Professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000).

Bernhard, Thomas --- Criticism and interpretation --- Criticism and interpretation. --- Berŭnharŭtʻŭ, Tʻomasŭ --- Bernhard, Nicolaas Thomas --- Berncharnt, Tomas --- ברנהרד, תומס --- トーマス・ベルンハルト --- Fabian, Thomas --- Austrian literature --- History and criticism. --- Austrian writer. --- Cosmopolitanism. --- Cultural and political. --- Culture. --- Drama. --- Europe. --- Histrionic. --- Isolation. --- Literary export. --- Madness. --- Modern prose. --- Multicultural landscape. --- Political provocation. --- Satirical. --- Suicide. --- Thomas Bernhard. --- Tradition. --- Authors, Austrian

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This book presents a comprehensive, lively account of recent developments in German fiction at a moment when--for the first time in many years--German authors are once again the subject of international attention and acclaim. It introduces English-speaking audiences to the complex dilemmas that are shaping the ways in which Germans are presently defining themselves, their difficult past, and the new "Berlin Republic." The theme that runs throughout the volume is the ongoing debate on German "normalization." In offering a wide-ranging consideration of contemporary German literature, the book complements a broad discussion of trends in present-day German politics, society, and culture with detailed readings of texts by internationally renowned figures as W. G. Sebald, Günter Grass, Martin Walser, Marcel Beyer, Ingo Schulze, Judith Hermann, Thomas Brussig, and Bernhard Schlink, and by newer, emerging writers. Topics include the literary debates of the 1990s, the literary market and marketing, literary responses to the former East and West Germany in the age of globalization and to the Nazi past and portrayals of "ordinary Germans," depictions of "German wartime suffering," contemporary writing on "Jewish fates" and efforts to revive the "German-Jewish symbiosis," and finally, the recent wave of writing about the provinces.

German literature --- History and criticism. --- History and criticism --- Germany --- Weimar Republic --- Germanii︠a︡ --- Германия --- BRD --- FRN --- Jirmānīya --- جرمانيا --- Nimechchyna --- Gjermani --- Federalʹna Respublika Nimechchyny --- Veĭmarskai︠a︡ Respublika --- Ashkenaz --- Germanyah --- Bundesrepublik Deutschland --- Federal Republic of Germany --- Deutschland --- Repoblika Federalin'i Alemana --- República Federal de Alemania --- Alemania --- República de Alemania --- Bu̇gd Naĭramdakh German Uls --- Kholboony Bu̇gd Naĭramdakh German Uls --- KhBNGU --- ХБНГУ --- German Uls --- Germania --- Republika Federal Alemmana --- Deutsches Reich --- Grossdeutsches Reich --- Weimarer Republik --- Vācijā --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (East) --- Germany (West) --- Holy Roman Empire --- Intellectual life --- ドイツ --- Doitsu --- ドイツ連邦共和国 --- Doitsu Renpō Kyōwakoku --- 20th century --- 21st century --- ドイツ レンポウ キョウワコク --- Deguo --- 德国 --- Gėrman --- Герман Улс --- 1990s. --- Berlin Republic. --- German literature. --- contemporary. --- literature trends.

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Although some of Henry James's contemporary critics deemed him just short of a great writer, history has elevated him to indisputable preeminence in the American canon. Linda Simon chronicles and analyzes James criticism beginning with contemporary newspaper and magazine reviews and ending with current academic criticism. The story begins in the 1870s, when critics saw James's works as mirrors of American identity and sought to establish him in the nation's evolving canon. James himself worked to secure that place with his prefaces to the standard edition of his works; Simon analyzes criticism about those prefaces. She also shows how James's reputation became contested after his death: praised by some critics for psychological insight and stylistic innovation, he was dismissed by others as socially and politically irrelevant. But beginning in the 1940s, such critics as Trilling, Rahv, Leavis, and, most influentially, Leon Edel secured James's place at the forefront of the American canon. More recently, James scholarship has focused on sexuality and gender, race and morality, and the nature of consciousness; critical trends Simon also considers. This book, the only comprehensive overview of James criticism over the past 140 years, helps readers understand the paths that that criticism has taken and how scholars and critics have built upon past work. Linda Simon is Professor of English at Skidmore College and Editor-in-Chief of 'William James Studies.' Her books include 'Genuine Reality: A Life of William James,' which was a 'New York Times' Notable Book of 1998.

James, Henry, --- Criticism and interpretation --- History. --- James, Henry --- History --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- ‏جميس، هينري،‏ --- جيمز، هنرى --- LITERARY CRITICISM / American / General. --- American Canon. --- American Identity. --- American Writer. --- Canonization. --- Henry James. --- Literary Criticism. --- Psychological Insight. --- Social and Political Relevance. --- Stylistic Innovation.

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Nietzsche looms over modern literature and thought; according to Gottfried Benn, 'everything my generation discussed, thought through innerly; one could say: suffered; or one could even say: took to the point of exhaustion - all of it had already been said . . . by Nietzsche; all the rest was just exegesis.' Nietzsche's influence on intellectual life today is arguably as great; witness the various societies, journals, and websites and the steady stream of papers, collections, and monographs. This ‘Companion’ offers new essays from the best Nietzsche scholars, emphasizing the interrelatedness of his life and thought, eschewing a superficial biographical method but taking seriously his claim that great philosophy is 'the self-confession of its author and a kind of unintended and unremarked ‘memoir’.' Each essay examines a major work by Nietzsche; together, they offer an advanced introduction for students of German Studies, philosophy, and comparative literature as well as for the lay reader. Re-establishing the links between Nietzsche's philosophical texts and their biographical background, the volume alerts Nietzsche scholars and intellectual historians to the internal development of his thought and the aesthetic construction of his identity as a philosopher. Contributors: Ruth Abbey, Keith Ansell-Pearson, Rebecca Bamford, Paul Bishop, Thomas H. Brobjer, Daniel W. Conway, Adrian Del Caro, Carol Diethe, Michael Allen Gillespie and Keegan F. Callanan, Laurence Lampert, Duncan Large, Martin Liebscher, Martine Prange, Alan D. Schrift. Paul Bishop is Professor of German at the University of Glasgow.

Philosophers --- Nietzsche, Friedrich Wilhelm, --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Comparative Literature. --- Friedrich Nietzsche. --- German Studies. --- Gottfried Benn. --- Nietzsche Scholars. --- Nietzsche's Life. --- Nietzsche's Philosophy. --- Nietzsche's Thought. --- Philosophy.

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In life and in fiction, houses are compelling objects that shape an impressive range of personal and public affairs. A house embodies experiences often intensely emotional, and it also represents both a major financial investment and a material reality embedded in architectural, aesthetic, and social traditions. The house, the place where we try to be at home, can be regarded - as theorists from Gaston Bachelard to Edward S. Casey have argued - as the key space for our constructions of selfhood and belonging. A host of contemporary German narratives featuring houses highlight this relationship between selfhood and domestic space. Beginning with a historical and theoretical overview of the house in German literature, 'Housebound' analyzes the shelters - often highly ambivalent spaces - that writers such as Katharina Hacker, Arno Geiger, Walter Kappacher, Monika Maron, Jenny Erpenbeck, Judith Hermann, Barbara Honigmann, and Emine Sevgi Özdamar build in their texts and what these reveal about contemporary selfhood in Germany and its relationship to the social world. The concluding comparative analysis of Katharina Hacker's 'Die Habenichtse' and the English novelist Ian McEwan's 'Saturday' reveals these developments in another national literature and makes a case for the global appeal of the domestic as a major site of identity politics. Monika Shafi is the Elias Ahuja Professor of German and Chair of the Department of Women and Gender Studies at the University of Delaware.

German fiction --- Home in literature. --- Self in literature. --- Domestic relations in literature. --- History and criticism. --- Aesthetic. --- Architectural. --- Arno Geiger. --- Barbara Honigmann. --- Belonging. --- Contemporary German Narratives. --- Domestic Space. --- Emine Sevgi Özdamar. --- Emotional Experiences. --- Financial Investment. --- German Literature. --- Housebound. --- Houses. --- Identity Politics. --- Jenny Erpenbeck. --- Judith Hermann. --- Katharina Hacker. --- Monika Maron. --- Monika Shafi. --- Selfhood. --- Social Traditions. --- Walter Kappacher.