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Byron's and Shelley's experimentation with the possibilities and pitfalls of poetic heroism unites their work. 'The Poet-Hero in the Work of Byron and Shelley' traces the evolution of the poet-hero in the work of both poets, revealing that the struggle to find words adequate to the poet's imaginative vision and historical circumstance is their central poetic achievement. Madeleine Callaghan explores the different types of poetic heroism that evolve in Byron's and Shelley's poetry and drama. Both poets experiment with, challenge and embrace a variety of poetic forms and genres, and this book discusses such generic exploration in the light of their developing versions of the poet-hero. The heroism of the poet, as an idea, an ideal and an illusion, undergoes many different incarnations and definitions as both poets shape distinctive and changing conceptions of the hero throughout their careers.
English literature --- Heroes in literature. --- History and criticism. --- Byron, George Gordon Byron, --- Shelley, Percy Bysshe, --- Shelley, P. B. --- Sheli, Persi Bish, --- Hsüeh-lai, --- Hermit of Marlow, --- Marlow, --- Victor, --- Shelli, Persi-Bishi, --- Šéli, Pérsi Ba, --- Shilī, --- Selley, Persy Byss, --- Shelli, P., --- Шелли, Перси Биши, --- שלי, פרסי ביש --- שלי, פרסי ביש, --- שעלי, פוירסי --- شلي --- Śeli, Pārsi Bīśa, --- Byron, George Gordon Byron --- Baĭron, Dzhordzh Gordon --- Baĭron, G. --- Baĭron, Jorj, --- Bairon, --- Bajron, Džordž Gordon --- Bajron, --- Bajroni, Xhorxh --- Bayrěn, --- Bayron, --- Bayron, Tzōrtz Gkorton Bayron --- Bayrūn --- Byron, George Gordon Noël Byron --- Byron, Jerzy Gordon --- Byron, --- Gordon, George --- Mpayron, Tzōrtz Nkorton Mpayron --- Pai-lun --- Payrěn --- Vyrōn --- בײראָן, לאָרד --- בירון --- בירון, לורד --- בירון, ג׳ורג׳ גורדון נואל, --- בירון, ג'ורג' גורדון בירון, --- בייראן --- בייראן, --- בייראן, לארד --- ביירון, לורד --- ביירון, --- Characters --- Heroes. --- Lord Byron --- Byron --- Byron, George Gordon Noël --- Shelley, Percy Bysshe
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This study of the poetry and drama of Percy Bysshe Shelley reads the letters and their biographical contexts to shed light on the poetry, tracing the ambiguous and shifting relationship between the poet's art and life. For Shelley, both life and art are transfigured by their relationship with one another where the 'poet participates in the eternal, the infinite, and the one' but is equally bound up with and formed by the society in which he lives and the past that he inherits. Callaghan shows that the distinctiveness of Shelley's work comes to rest on its wrong-footing of any neat division of life and art. The dazzling intensity of Shelley's poetry and drama lies in its refusal to separate the twain as Shelley explores and finally explodes the boundaries between what is personal and what is poetic. Arguing that the critic, like the artist, cannot ignore the conditions of the poet's life, Callaghan reveals how Shelley's artistry reconfigures and redraws the actual in his poetry. The book shows how Shelley's poetic daring lies in troubling the distinction between poetry as aesthetic work hermetically sealed against life, and poetry as a record of the emotional life of the poet.
Shelley, Percy Bysshe, --- Shelley, P. B. --- Sheli, Persi Bish, --- Hsüeh-lai, --- Hermit of Marlow, --- Marlow, --- Victor, --- Shelli, Persi-Bishi, --- Šéli, Pérsi Ba, --- Shilī, --- Selley, Persy Byss, --- Shelli, P., --- Шелли, Перси Биши, --- שלי, פרסי ביש --- שלי, פרסי ביש, --- שעלי, פוירסי --- شلي --- Śeli, Pārsi Bīśa, --- Criticism and interpretation. --- Shelley, Percy Bysshe --- neo-formalism --- close reading --- biography --- Romantic poetry --- aesthetics
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Thematology --- English literature --- Shelley, Percy Bysshe --- Byron [Lord]
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Romanticism and the Letter is a collection of essays that explore various aspects of letter writing in the Romantic period of British Literature. Although the correspondence of the Romantics constitutes a major literary achievement in its own right, it has received relatively little critical attention. Essays focus on the letters of major poets, including Wordsworth, Byron, Shelley and Keats; novelists and prose writers, including Jane Austen, Leigh Hunt and Charles Lamb; and lesser-known writers such as Melesina Trench and Mary Leadbeater. Moving from theories of letter writing, through the period’s diverse epistolary culture, to essays on individual writers, the collection opens new perspectives for students and scholars of the Romantic period. Madeleine Callaghan is Senior Lecturer in Romantic Literature at the University of Sheffield. Liverpool University Press published her first monograph, Shelley’s Living Artistry: The Poetry and Drama of Percy Bysshe Shelley, in 2017, and her book, The Poet-Hero in the Work of Byron and Shelley (2019) is published by Anthem Press. Anthony Howe is Reader in English Literature at Birmingham City University. His publications include Byron and the Forms of Thought (Liverpool, 2013) and The Oxford Handbook of Percy Bysshe Shelley (2013), edited with Michael O’Neill. He is currently writing a monograph about literary letter writing in the British Romantic period.
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Romanticism and the Letter is a collection of essays that explore various aspects of letter writing in the Romantic period of British Literature. Although the correspondence of the Romantics constitutes a major literary achievement in its own right, it has received relatively little critical attention. Essays focus on the letters of major poets, including Wordsworth, Byron, Shelley and Keats; novelists and prose writers, including Jane Austen, Leigh Hunt and Charles Lamb; and lesser-known writers such as Melesina Trench and Mary Leadbeater. Moving from theories of letter writing, through the period’s diverse epistolary culture, to essays on individual writers, the collection opens new perspectives for students and scholars of the Romantic period. Madeleine Callaghan is Senior Lecturer in Romantic Literature at the University of Sheffield. Liverpool University Press published her first monograph, Shelley’s Living Artistry: The Poetry and Drama of Percy Bysshe Shelley, in 2017, and her book, The Poet-Hero in the Work of Byron and Shelley (2019) is published by Anthem Press. Anthony Howe is Reader in English Literature at Birmingham City University. His publications include Byron and the Forms of Thought (Liverpool, 2013) and The Oxford Handbook of Percy Bysshe Shelley (2013), edited with Michael O’Neill. He is currently writing a monograph about literary letter writing in the British Romantic period.
Literature --- literatuur --- anno 1700-1799 --- anno 1800-1899
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Literature --- literatuur --- anno 1700-1799 --- anno 1800-1899
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This handbook takes stock of current developments in the study of a major Romantic poet and prose-writer, and seeks to advance Shelley studies beyond the current scholarship. It consists of forty-two chapters written by a prestigious international cast of established and emerging scholar-critics, and offers the most wide-ranging single-volume body of writings on Shelley. The volume builds on the textual revolution in Shelley studies, which has transformed understanding of the poet, as critics are able to focus on what Shelley actually wrote. This handbook is divided into five thematic sections: Biography and Relationships; Prose; Poetry; Cultures, Traditions, Influences; and Afterlives.
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Examines letter writing among poets in the last 200 years. Poets discussed include Coleridge, Wordsworth, Keats and Shelley in the nineteenth century and Eliot, Yeats, Bishop and Larkin in the twentieth century. Divided into three sections--Contexts and Issues, Romantic and Victorian Letter Writing and Twentieth-century Letter Writing--the volume demonstrates that real letters still have an allure.
Poets, English --- Authors, English --- Letter writing --- History. --- Biography --- Careers --- Exile --- Last years and death --- Marriage --- Youth
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