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Poetry --- Old French literature --- French literature --- Epic poetry, French --- -Heroes in literature --- French epic poetry --- French poetry --- History and criticism --- Heroes in literature --- Poésie française. 12e-2oe s. --- Franse heldendichten. 12e-20e eeuw.
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Calin develops a synthesis of medieval French and English literature that will be especially useful for classroom study.
Old French literature --- Comparative literature --- Old English literature --- Anglo-Norman literature --- Civilization, Medieval, in literature. --- English literature --- French literature --- History and criticism. --- French influences. --- Middle English, 1100-1500 --- History and criticism --- French influences --- To 1500 --- British literature --- LITTERATURE ANGLAISE DU MOYEN AGE --- ENGLISH LITERATURE --- ANGLO-NORMAN LITERATURE --- FRENCH LITERATURE --- INFLUENCE FRANCAISE --- MIDDLE ENGLISH, 1100-1500 --- FRENCH INFLUENCES --- HISTORY AND CRITICISM --- TO 1500
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Narration (Rhetoric) --- Narrative poetry, French --- History --- History and criticism. --- Guillaume, --- Criticism and interpretation. --- Guillaume de Machaut --- Criticism and interpretation
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"A renascence of literature written in minority languages has been taking place in Europe. In this study, William Calin offers a comparative analysis of three twentieth-century minority-language literatures flourishing today in the United Kingdom and France - literatures written in Scots, Breton, and Occitan." "For each of the three literatures, Calin examines the major writers and their masterpieces in poetry, the novel, and theatre. His thesis is that all three literatures have evolved in a like manner, repudiating their sentimental, romantic folk heritage and undertaking to create in terms of European modernism and postmodernism. Combining a variety of modern critical approaches with theoretical and cultural considerations, Calin demonstrates the intrinsic importance of these literatures and their contribution to culture in both aesthetic and broadly human terms. His conclusion raises a number of questions: Is there a common form of narrative prevalent in minority cultures that is neither realism nor metafiction? Is the minority-language theatre limited to plots treating past history and the rural present? How can high modernist poetry express regional concerns yet attain universality? What constraints are imposed on writers working in minority languages, and what traits will be shared by minority literatures?" "Calin's pioneering study is the first comparative examination of the Scots, Breton, and Occitan achievements as parts of an international, European totality, underscoring in comparative terms their contribution to Europe as a whole."--Jacket
Modernism (Literature) --- Modernisme (Literatuur) --- Modernisme (Littérature) --- Crepuscolari --- Crepuscolarismo --- Crépusculaires (Poètes) --- Crépuscularisme --- Penumbrismo --- Poètes crépusculaires --- Poésie crépusculaire --- Poésie pénombriste --- Pénombrisme --- Scottish literature --- 20th century --- History and criticism --- Breton literature --- Occitan literature --- Scots Gaelic literature --- History and criticism. --- Brittany (France) --- Provence (France) --- Scotland --- In literature.
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"A renascence of literature written in minority languages has been taking place in Europe. In this study, William Calin offers a comparative analysis of three twentieth-century minority-language literatures flourishing today in the United Kingdom and France - literatures written in Scots, Breton, and Occitan." "For each of the three literatures, Calin examines the major writers and their masterpieces in poetry, the novel, and theatre. His thesis is that all three literatures have evolved in a like manner, repudiating their sentimental, romantic folk heritage and undertaking to create in terms of European modernism and postmodernism. Combining a variety of modern critical approaches with theoretical and cultural considerations, Calin demonstrates the intrinsic importance of these literatures and their contribution to culture in both aesthetic and broadly human terms. His conclusion raises a number of questions: Is there a common form of narrative prevalent in minority cultures that is neither realism nor metafiction? Is the minority-language theatre limited to plots treating past history and the rural present? How can high modernist poetry express regional concerns yet attain universality? What constraints are imposed on writers working in minority languages, and what traits will be shared by minority literatures?" "Calin's pioneering study is the first comparative examination of the Scots, Breton, and Occitan achievements as parts of an international, European totality, underscoring in comparative terms their contribution to Europe as a whole."--Jacket
Breton literature --- Modernism (Literature) --- Occitan literature --- Scots Gaelic literature --- History and criticism --- Langue d'oc literature --- Provençal literature, Modern --- Crepuscolarismo --- Literary movements --- History and criticism. --- Brittany (France) --- Provence (France) --- Scotland --- In literature. --- Prouince (France) --- Province (France) --- Provenza (France) --- Provence-Côte d'Azur (France)
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The Twentieth-Century Humanist Critics revisits the work and place of eight scholars roughly contemporary with Anglo-American New Criticism: Leo Spitzer, Ernst Robert Curtius, Erich Auerbach, Albert Beguin, Jean Rousset, C.S. Lewis, F.O. Matthiessen, and Northrop Frye.
Criticism --- Humanism --- History --- Frye, Northrop, --- Critique et interpretation.
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In 'The lily and the thistle', William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. 'The lily and the thistle' provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French "dits amoureux"); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian "Roman de Fergus," as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
Scottish literature --- Scots literature --- British literature --- History and criticism. --- French influences.
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This collection is the first full-length literary study on Machaut, France's leading poet and musician of the 14th century. Machaut's narrative poems, called dits, have only been lightly studied. Here, author William Calin examines the works for their intrinsic merit and for their historical importance in influencing many writers, most notably Chaucer.
Narration (Rhetoric) --- Narrative poetry, French --- French narrative poetry --- French poetry --- History --- History and criticism. --- Guillaume, --- De Machault, Guillaume, --- De Machaut, Guillaume, --- Guillaume de Machaut, --- Guillelmus, --- Machau, Guillaume de, --- Machauld, G. de, --- Machault, Guillaume de, --- Machaut, G. de --- Machaut, Guillaume de, --- Mauchaut, Guillaume de, --- Criticism and interpretation. --- de Machaut, Guillaume --- Guillaume de Machaut --- Guillaume de Machault --- de Machault, Guillaume --- de Machau, Guillaume --- de Machaudio, Guillaume --- de Machaudo, Guillaume --- de Mascaudio, Guillaume --- de Machaudio, Guillelmus --- de Machaut, Guillaume, --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric)
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Chansons de geste --- Renaud de Montauban (Legendary character) --- Feudalism. --- History and criticism. --- Romances --- History and criticism. --- Raoul de Cambrai. --- Quatre fils Aimon. --- Gormont et Isembart.
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