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Kerle, de, Jacobus --- Composers --- Church music --- Compositeurs --- Musique d'église --- Biography. --- Catholic Church --- Biographies --- Eglise catholique --- Kerle, Jacobus de, --- Musique d'église --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- De Kerle, Jacobus, --- Kerle, Jacob de, --- Biography --- 16th century --- Kerle, Jacobus de

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The Order of Preachers has famously bred some of the leading intellectual lights of the Middle Ages. While Dominican achievements in theology, philosophy, languages, law, and sciences have attracted much scholarly interest, their significant engagement with liturgy, the visual arts, and music remains relatively unexplored. These aspects and their manifold interconnections form the focal point of this interdisciplinary volume.The different chapters examine how early Dominicans positioned themselves and interacted with their local communities, where they drew their influences from, and what impact the new Order had on various aspects of medieval life. The contributors to this volume address issues as diverse as the making and illustrating of books, services for a king, the disposition of liturgical space, the creation of new liturgies, and a Dominican-made music treatise. In doing so, they seek to shed light on the actions and interactions of medieval Dominicans in the first centuries of the Order's existence

Monastic and religious life --- History --- Dominicans --- History. --- Dominicains (ordre religieux) --- Vie religieuse et monastique --- Histoire --- Influence --- Histoire. --- 271.2 --- 264 --- 264 Liturgie --- Liturgie --- 264 Liturgy --- Liturgy --- 271.2 Dominicanen. Predikheren --- Dominicanen. Predikheren --- Dominicains --- Moyen Age

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The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung00Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them.0The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources.

091:78 --- 78.087.62/.67 --- 78.087.62/.67 Meerstemmige muziek. Polyfonie --- Meerstemmige muziek. Polyfonie --- 091:78 Handschriften i.v.m. muziek --- Handschriften i.v.m. muziek --- Renaissance --- polyfonie --- muziekgeschiedenis --- Music --- Part songs --- Musical notation --- Manuscripts --- Publishing --- History and criticism --- anno 1400-1499 --- anno 1500-1599

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