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Antezzo, Matthew ; Bishton, Ginny ; Cranston, Meg ; Crotty, Russell ; Durant, Sam ; Fujiyoshi, Aki ; Grigely, Joseph ; Hayes, Paula ; Kersels, Martin ; Kwon, Sowon ; Sanchez, Pauline Stella ; Schimert, Kathleen ; Stark, Frances

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This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.

Art --- feminism --- women [female humans] --- vrouw in de kunst --- Museum of Modern Art [New York, N.Y.] --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019 --- Art, Modern --- Women artists --- 20e eeuw --- 21e eeuw --- 7.071 --- kunst 20e eeuw --- kunst 21e eeuw --- kunstenaars --- vrouwen --- Artists, Women --- Women as artists --- Artists --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- kunst --- conceptuele kunst --- concept art --- Japan --- design --- film --- fotografie --- boekontwerp --- boeken --- Rusland --- kunsttheorie --- architectuur --- 7.078 --- Museum of Modern Art --- New York --- Verenigde Staten --- musea --- 7.036/039 --- kunst en politiek --- eenentwintigste eeuw --- twintigste eeuw --- gender studies --- feminisme --- vrouwelijke kunstenaar

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On Line: Drawing through the Twentieth Century explores a radical transformation of drawing that began over a century ago and continues as a vital impulse in art today. In a revolutionary departure from traditional ideas of drawing, and from the reliance on paper as the medium's fundamental support, artists have pushed the line of drawing into real space, expanding its relationship to gesture and form and invigorating its links with painting and sculpture, photography and film, and, particularly notably, dance and performance. Through works by over 100 artists, and through essays by Cornelia Butler and Catherine de Zegher that illuminate both broad themes and individual practices, On Line presents a groundbreaking history of an art form. The great, recognized art movements, from Cubism and Futurism at the beginning of the twentieth century through Abstract Expressionism, Neo-Concretism, arte povera, Conceptualism, and many other approaches up to the diverse present, are shown from a new perspective, and are joined by a host of less familiar artworks that properly claim a place in this differently defined field.

Drawing --- anno 1900-1999 --- Line (Art) --- 741.039 --- Tekenkunst ; 20ste en 21ste eeuw --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst en dans --- Albers Anni --- Balasubramanian A. --- Boccioni Umberto --- Braque Georges --- Brouwn Stanley --- Brown Trisha --- Calder Alexander --- Camnitzer Luis --- Canell Nina --- Cool Marie --- Balducci Fabio --- Dekyndt Edith --- Ferrari Leon --- Forsythe William --- Fuller Loie --- Gellman Mimi --- Hay Alex --- Hefuna Susan --- Kempinas Zilvinas --- Kngwarray Emily Kam --- Kosice Gyula --- Krasinski Edward --- Kupka Frantisek --- Lemon Ralph --- Le Roy Xavier --- Lewitt Sol --- Lombardi Mark --- Maiolind Anna Maria --- Makhijani Sheila --- Malich Karel --- Masson André --- McCall Anthony --- Mehretu Juli --- Meireles Cildo --- Merz Marisa --- Mohamedi Nasreen --- Molnar Vera --- N.E. Thing CO. LTD. --- Nijinsky Vaslaw --- Parker Cornelia --- Popova Lyubov --- Pougny Jean --- Rockburne Dorothea --- Rodchenko Alexander --- Rosenfeld Lotty --- Sandback Fred --- Severini Gino --- Shiomi Mieko --- Soto Jesus Rafael --- Stuart Michell --- Sullivan Françoise --- Syed Alia --- Tottie Sophie --- Twombly Cy --- Vieira da Silva Maria Helena --- de la Villeglé Jacques --- Winters Terry --- Young La Monte --- Tekenkunst ; 2000 - 2050 --- Ryman Robert --- Schendel Mira --- Schneemann Carolee --- Schwitters Kurt --- Shettar Ranjani --- Snow Michael --- Taeuber-Arp Sophie --- Tanaka Atsuko --- tekenkunst --- Tuerlinckx Joëlle --- Tuttle Richard --- twintigste eeuw --- Vantongerloo Georges --- Vicuna Cecilia --- 741.036 --- Alÿs Francis --- Anselmo Giovanni --- Arp Jean --- Balasubramanian A --- Bloch Pierrette --- Clark Lygia --- dans --- De Keersmaeker Anne Teresa --- Duchamp Marcel --- Fabro Luciano --- Fontana Lucio --- Gallagher Ellen --- Gego --- Grzymala Monika --- Hatoum Mona --- Heizer Michael --- Herrera Arturo --- Hesse Eva --- Kandinsky Wassily --- Kelly Ellsworth --- Klee Paul --- kunst --- Lissitzky El --- Maldonado Tomas --- Malevich Kazimir --- Man Ray --- Manzoni Piero --- Martin Agnes --- Matta-Clark Gordon --- Miro Joan --- Mondriaan Piet --- Nauman Bruce --- N.E. Thing CO. LTD --- Newman Avis --- Penone Giuseppe --- Picasso Pablo --- Pollock Jackson --- Rainer Yvonne --- Rauschenberg Robert --- Ray Man --- Art --- Exhibitions --- tekenen --- film --- hedendaagse kunst --- 20ste eeuw --- 21ste eeuw --- Dessin --- 20e siècle --- Art and Design. --- Drawing. --- Line (Art). --- Zeichnung. --- 1900-1999. --- dansen --- Drawing - 20th century - Exhibitions --- Line (Art) - Exhibitions --- tekenen. --- dansen. --- film. --- hedendaagse kunst. --- 20ste eeuw. --- 21ste eeuw.

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Iconography --- Art --- Sculpture --- Drawing --- Painting --- Graphic arts --- Photography --- drawing [image-making] --- painting [image-making] --- photography [process] --- lines [geometric concept] --- performance art --- sculpting --- graphic arts --- Nijinsky, Vaslav --- Arp, Hans --- Marioni, Tom --- Dekyndt, Edith --- Sullivan, Françoise --- LeWitt, Sol --- Keersmaeker, de, Anne Teresa --- Mohamedi, Nasreen --- Snow, Michael --- Lissitzky, El --- Severini, Gino --- Gego --- Albers, Anni --- Duchamp, Marcel --- Picasso, Pablo --- Balasubramaniam, Alwar --- Balducci, Fabio --- Vieira da Silva, Maria E. --- Kupka, Frantz --- Bloch, Pierrette --- Camnitzer, Luis --- Rainer, Yvonne --- Fabro, Luciano --- Cool, Marie --- Fontana, Lucio --- Ferrari, León --- Gellman, Mimi --- Grzymala, Monika --- Hay, Alex --- Hefuna, Susan --- Herrera, Arturo --- Kempinas, Zilvinas --- Kngwarreye, Emily Kame --- Krasiński, Edward --- Lombardi, Mark --- Makhijani, Sheila --- Maldonado, Tomás --- McCall, Anthony --- Pollock, Jackson --- N.E. Thing Co. --- Newman, Jackson --- Poeni, Ivan Albertovitsj --- Rockburne, Dorothea --- Rosenfeld, Lotty --- Klee, Paul --- Schendel, Mira --- Shettar, Ranjani --- Shiomi, Mieko --- Stuart, Michelle --- Syed, Alla --- Tanaka, Atsuko --- Tottie, Sophie --- Long, Richard --- Rodtschenko, Alexander Michajlowitsch --- Fuller, Loïe --- Maiolino, Anna Maria --- Miró, Joan --- Masson, André --- Penone, Giuseppe --- Heizer, Michael --- Manzoni, Piero --- Tuttle, Richard --- Schneemann, Carolee --- Kandinsky, Wassily --- Tuerlinckx, Joëlle --- Vantongerloo, Georges --- Boccioni, Umberto --- Braque, Georges --- Mondriaan, Piet --- Hatoum, Mona --- Forsythe, William --- Brouwn, Stanley --- Rauschenberg, Robert --- Soto, Jesús Rafael --- Mey, de, Thierry --- Ryman, Robert --- Twombly, Cy --- Meireles, Cildo --- Anselmo, Giovanni --- Clark, Lygia --- Hesse, Eva --- Kelly, Ellsworth --- Merz, Marisa --- Nauman, Bruce --- Winters, Terry --- Alÿs, Francis --- Brown, Trisha --- Parker, Cornelia --- Schwitters, Kurt --- Gallagher, Ellen --- Kosice, Gyula --- Villeglé, Jacques --- Malich, Karel --- Molnár, Vera --- Popova, Lyubov Sergeevna --- Sandback, Frederick Laue --- Taeuber-Arp, Sophie Henriette Gertrud --- Vicuña, Cecilia --- Malevitsj, Kasimir --- Young, La Monte --- Mehretu, Julie --- Man Ray --- Martin, Agnes --- Calder, Alexander --- Matta-Clark, Gordon

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Alors qu'elle avait entamé sa carrière de sculpteur au lendemain de la guerre en adoptant un style figuratif classique, Alina Szapocznikow a reconceptualisé la sculpture en tant qu'empreinte non seulement de la mémoire, mais également de son propre corps. Interrompue par la mort prématurée de l'artiste en 1973 à l'âge de 47 ans, sa carrière effective ne couvre pas deux décennies ; pourtant, Szapocznikow nous laisse en héritage des objets provocants qui évoquent le surréalisme, le nouveau réalisme et l'art pop. Moulages de fragments de corps en polyester teinté, souvent métamorphosés en objets quotidiens tels des lampes ou cendriers ; formes obtenues à partir de polyuréthane liquide solidifié ; assemblages complexes qui peuvent incorporer des photographies, vêtements ou pièces d'automobile : les ouvres fascinantes de l'artiste résonnent dans la culture actuelle d'une façon tout aussi merveilleusement idiosyncratique que lors de leur création. Célèbre en Pologne, Szapocznikow y a exercé une grande influence dès les prémices de sa carrière ; le moment est venu de réexaminer sa place dans l'histoire de l'art.Alina Szapocznikow, Sculpture Undone 1955-1972, nous offre une vue d'ensemble très complète de l'ouvre importante de cette artiste au moment où elle suscite un intérêt international grandissant. Richement illustré par plus de 150 planches en couleurs, ce catalogue présente des essais rédigés par les commissaires de l'exposition où sont abordés des aspects cruciaux de la pratique de l'artiste et de l'histoire de sa réception. Il inclut également une chronologie complète, permettant d'explorer en profondeur les liens qui unissent sa vie et son art. Alors qu'elle couvre l'une des périodes les plus riches et les plus complexes du xxe siècle, la production de Szapocznikow fait écho à de nombreux aspects de l'évolution artistique et idéologique de son temps en une ouvre sculpturale à la fois fragmentée et transformative, sensuelle et pensée, réalisée de manière ludique et chargée politiquement.

Szapocznikow, Alina --- Exhibitions --- Sculpture --- 20th century --- Criticism and interpretation --- Sculptors --- Poland --- History --- Sculpture - Poland - Exhibitions --- Szapocznikow, Alina - Exhibitions