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film --- filmgeschiedenis --- twintigste eeuw --- Verenigde Staten --- Eastwood Clint --- 791.471 EASTWOOD
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Western films --- Westerns --- Ford, John, --- Searchers (Motion picture) --- Edward Buscombe --- 791.471 FORD --- History and criticism. --- Histoire et critique --- Criticism and interpretation. --- film --- filmklassiekers --- filmgeschiedenis --- Ford John
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Television broadcasting --- #SBIB:309H1513 --- #SBIB:309H1520 --- #KVHA:Media; Groot-Brittannie --- #KVHA:Televisie; Groot-Brittannie --- Geschiedenis en/of organisatie van de radio en/of televisie: algemeen en per land (met inbegrip van de rol van de omroep in de ontwikkelingsproblematiek) --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Mass communications --- Great Britain
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John Ford's masterpiece The Searchers (1956) was voted the seventh greatest film of all time in Sight & Sound's most recent poll of critics. Its influence on many of America's most distinguished contemporary filmmakers, among them Martin Scorsese, Paul Schrader, and John Milius, is enormous. John Wayne's portrait of the vengeful Confederate Ethan Edwards gives the film a truly epic dimension, as does his long and lonely journey into the dark heart of America. Edward Buscombe's insightful study provides a detailed commentary on all aspects of the film, drawing on material in the John Ford archive at Indiana University, including Ford's own memos and the original script, which differs in vital respects from the film he made, to offer new insights into the film's production history.
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"John Ford's masterpiece The Searchers (1956) was rated fifth greatest film of all time in Sight and Sound's most recent poll of critics. Its influence on many of America's most distinguished contemporary filmmakers, among them Martin Scorsese, Paul Schrader, and John Milius, is enormous. John Wayne's portrait of the vengeful Confederate Ethan Edwards gives the film a truly epic dimension, as his long and lonely journey into the dark heart of America. Edward Buscombe provides a detailed commentary on all aspects of the film, and makes full use of material in the John Ford archive at Indiana University, including Ford's own memos and the original script, which differs in vital respects from the film he made."--Bloomsbury publishing.
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