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In this study, while providing a detailed survey of the conditions of production of post-dictatorship Argentine cinema, the author focuses on a selected corpus of films in order to explore how issues of memory, mourning and trauma have been dealt with in the cinema that followed the advent of democracy in 1983.
Motion pictures --- Memory in motion pictures. --- Gender identity in motion pictures. --- History. --- Argentina --- In motion pictures. --- History --- Influence. --- Argenṭinah --- Argenṭine --- Argentine Confederation (1851-1861) --- Argentine Nation --- Argentine Republic --- Aruzenchin --- Confederación Argentina (1851-1861) --- Nación Argentina --- República Argentina --- アルゼンチン --- Provincias Unidas del Río de la Plata --- Argentine Cinema. --- Contemporary Latin American Cinema. --- Dirty War. --- Gender. --- Historical Representations. --- Memory.
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Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
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