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Peter Imhof, alias Alamire (1536) is de man achter meer dan vijftig nog bewaarde, prachtig verluchte muziekhandschrift en. Hij stond aan het hoofd van een scriptorium met muziekscribenten en verluchters die in opdracht van kerken, broederschappen, vorsten en rijke hovelingen muziekhandschrift en samenstelden. De in Europa verspreide en nog bewaarde handschrift en zijn niet alleen een streling voor het oog, maar ook voor het oor: ze bevatten het kruim van de polyfonie meerstemmige, vooral vocale muziek tussen 1480 en 1535. Dit boek focust op de rijkdom van beeld en klank. Uit elk van de zeven handschrift en die in de Koninklijke Bibliotheek van België bewaard worden, worden de mooiste muziekpaginas en details uit de rijkelijke randversieringen en miniaturen in de hoogste resolutie weergegeven. Een internationaal team van musicologen en musici zorgt bij telkens één compositie uit elk van de zeven handschrift en voor toelichting. Zo krijgt de lezer een mooi overzicht van de bestaande muziekgenres (mis, motet, chanson).

Book history --- illuminated manuscripts --- Manuscripts. Epigraphy. Paleography --- Music --- Alamire, Petrus --- C3 --- musicologie --- kunstboek --- 091:78 --- 091.31 --- 091 <493> --- Kunst en cultuur --- Handschriften i.v.m. muziek --- Verluchte handschriften --- Handschriftenkunde. Handschriftencatalogi--België --- 091 <493> Handschriftenkunde. Handschriftencatalogi--België --- 091.31 Verluchte handschriften --- 091:78 Handschriften i.v.m. muziek --- Boekgeschiedenis --- Muziek --- Handschriften. Epigrafie. Paleografie --- verluchte manuscripten --- muziekgeschiedenis --- anno 1400-1499 --- anno 1500-1599 --- 78.24 --- 78.55 --- 78.10

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Isaac, Heinrich

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Music --- missen --- renaissance muziek --- Renaissance --- muziekgeschiedenis --- Bossuyt, Ignace --- Isaac, Heinrich

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" A multidisciplinary collection of twenty essays that examine the debates and controversies around music and theology during the period of the European Reformations from both Catholic and various Protestant perspectives. Throughout the history of the Church, music has regularly been placed under the critical microscope. Nonetheless, the intensity of thought concerning music's role in the liturgy and in spiritual life in general reached a peak during the period of the European Reformations. This multidisciplinary collection examines the debates and controversies around music and theology during that time from both Catholic and various Protestant perspectives. It includes twenty essays from musicologists, theologians, Biblical scholars, and Church historians that attempt to answer the following questions: What difference did the theological and ecclesiological developments of the sixteenth century make to musical forms and practices? What continuities of practice existed with former times? How was the desire to restore the church to an imagined pristine state manifest in music and liturgy? How did developments in exegesis arising from the massively increased knowledge and access to the Bible in Hebrew and Greek affect the way composers wrote and congregations heard? Why did some reformers embrace music, while others rejected it?" -- Back cover.

Musique et religion --- Église --- Réforme. --- Église --- Réforme. --- Music --- Religious aspects --- Christianity --- History and criticism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Religious aspects&delete& --- 246.8 <09> --- 783.2 --- 783.2 Liturgische muziek. Liturgische zang --- Liturgische muziek. Liturgische zang --- 246.8 <09> Religieuze muziek--Geschiedenis van ... --- Religieuze muziek--Geschiedenis van ... --- Religieuze muziek--Geschiedenis van --- Christianity. --- History and criticism. --- theologie --- liturgische muziek --- protestantse kerkmuziek --- muziek --- muziekgeschiedenis --- Reformatie --- anno 1500-1599 --- Music - Religious aspects - Christianity --- Music - 16th century - History and criticism --- Music - 17th century - History and criticism

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" A multidisciplinary collection of twenty essays that examine the debates and controversies around music and theology during the period of the European Reformations from both Catholic and various Protestant perspectives. Throughout the history of the Church, music has regularly been placed under the critical microscope. Nonetheless, the intensity of thought concerning music's role in the liturgy and in spiritual life in general reached a peak during the period of the European Reformations. This multidisciplinary collection examines the debates and controversies around music and theology during that time from both Catholic and various Protestant perspectives. It includes twenty essays from musicologists, theologians, Biblical scholars, and Church historians that attempt to answer the following questions: What difference did the theological and ecclesiological developments of the sixteenth century make to musical forms and practices? What continuities of practice existed with former times? How was the desire to restore the church to an imagined pristine state manifest in music and liturgy? How did developments in exegesis arising from the massively increased knowledge and access to the Bible in Hebrew and Greek affect the way composers wrote and congregations heard? Why did some reformers embrace music, while others rejected it?" -- Back cover.

Church music --- Music --- Church music --- Church music --- Church music --- Reformation. --- Protestant churches --- Religious aspects --- Christianity. --- Protestant churches --- Catholic Church --- Catholic Church