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By analyzing Chaucer's major poetic works, Robert Burlin succeeds in isolating thematic undercurrents with a bearing on the poet's process of composition. He is thus able to relate individual poems to Chaucer's view of himself as a writer, and to assess the internal evidence for a Chaucerian theory of fiction. Professor Burlin contends that a logic underlies Chaucer's aesthetic assumptions whose imaginative configuration appears both simple and inevitable in the context of his poetic development. The author first explores possible antecedents for the terms "experience" and auctoritee, and shows that this common antinomy provides the basis for dividing the poems into three groups.In the "poetic fictions," Chaucer speculates on the value of poetic activity, on the sources of its affect, and on its validity as a means of apprehension. The "philosophic fictions" concentrate on the epistemological aspect of literary activity. In a final group of poems, termed "psychological fictions," the poet explores the speaker's unspoken motives, as well as his pronounced intentions, in telling a tale.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Fiction --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Technique. --- Chaucer, Geoffrey,

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As a tribute to the superb teaching and exemplary literary criticism of this eminent Yale scholar, the majority of these essays deal with thematic, textual, and prosodic issues in Old English poetry, seven of them providing a valuable reassessment of some of the perennial problems of Beowulf criticism: the implications of its metaphysical and social systems as well as its rhetorical and imagistic structures; and especially the recurrent need for a careful re-examination of the text and a return to the manuscript evidence. These contributions add significantly to the debate over the meaning of the tragic element of Beowulf and to the better understanding of the character of its hero. The poetic literature is further represented by a new evaluation of the central literary problems of the Exodus, a reinterpretation of the puzzling Wulf and Eadwacer, and philological and syntactical examinations of Maldon and the Phoenix. Other interests of Professor Pope are reflected in two metrical analyses and a thorough lexicographical survey of Old English prosodic terminology, a painstaking study of the chapter-headings in the Old English Bede, and an essay which brilliantly establishes the experience of a hitherto unknown AElfric manuscript.

Anglo-Saxon poetry. --- Poésie anglo-saxonne. --- Anglo-Saxon poetry --- English poetry, Old --- Old English poetry --- Pope, John Collins, --- Pope, John C. --- English literature --- Civilization, Anglo-Saxon, in literature. --- Civilization, Medieval, in literature. --- History and criticism.