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Comparative literature --- Thematology --- French literature --- Drama --- Beckett, Samuel
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Thematology --- French literature --- Beckett, Samuel --- Myth in literature --- Ritual in literature --- Beckett, Samuel, --- Dramatic works --- Beckett, Samuel, - 1906-1989 - Dramatic works --- Beckett, Samuel, - 1906-1989
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English literature --- Drama --- Pinter, Harold --- Ritual in literature. --- Pinter, Harold, --- Criticism and interpretation.
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This book explores the way in which doubling takes place in several novels, films, and dramas, primarily focusing on modern drama and exploring how five Greek myths – Oedipus, Narcissus, Dionysus, Orestes, and Demeter – inform the literature. Taking a psychological/mythical approach, this book explores the inner divisions that lead to boundary loss and the search for the self that may lead to boundaries found. The contention of the book is that the oedipal search for self has been replaced in modern literature by individuals caught up in a narcissistic culture. Katherine H. Burkman explores plays by Aeschylus, Sophocles, Euripides, Henrik Ibsen, Eugene O'Neill, Samuel Beckett, Harold Pinter, David Mamet, Sam Shepard, Marsha Norman, and Will Eno.
Doubles in literature --- Identity (Psychology) in literature --- Drama --- Music, Dance, Drama & Film --- Psychological aspects --- History and criticism --- Doubles in literature. --- Identity (Psychology) in literature. --- Psychological aspects. --- History and criticism. --- Doppelgänger in literature --- Doppelgängers in literature --- Criticism --- Split self in literature --- Performing arts. --- Motion pictures-History. --- Consciousness. --- Literature-Philosophy. --- Culture-Study and teaching. --- Theater-History. --- Performing Arts. --- Film History. --- Personality and Social Psychology. --- Literary Theory. --- Cultural Theory. --- Theatre History. --- Apperception --- Mind and body --- Perception --- Philosophy --- Psychology --- Spirit --- Self --- Show business --- Arts --- Performance art --- Motion pictures—History. --- Personality. --- Social psychology. --- Literature—Philosophy. --- Culture—Study and teaching. --- Theater—History. --- Mass psychology --- Psychology, Social --- Human ecology --- Social groups --- Sociology --- Personal identity --- Personality psychology --- Personality theory --- Personality traits --- Personology --- Traits, Personality --- Individuality --- Persons --- Temperament
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This book explores the way in which doubling takes place in several novels, films, and dramas, primarily focusing on modern drama and exploring how five Greek myths – Oedipus, Narcissus, Dionysus, Orestes, and Demeter – inform the literature. Taking a psychological/mythical approach, this book explores the inner divisions that lead to boundary loss and the search for the self that may lead to boundaries found. The contention of the book is that the oedipal search for self has been replaced in modern literature by individuals caught up in a narcissistic culture. Katherine H. Burkman explores plays by Aeschylus, Sophocles, Euripides, Henrik Ibsen, Eugene O'Neill, Samuel Beckett, Harold Pinter, David Mamet, Sam Shepard, Marsha Norman, and Will Eno.
Philosophy --- Psychology --- Social psychology --- Sociology of culture --- Personality development --- Didactics of the arts --- Film --- Theatrical science --- Linguistics --- Literature --- History --- filmgeschiedenis --- performances (kunst) --- psychologie --- sociale psychologie --- geletterdheid --- theater --- cultuur --- filosofie --- geschiedenis --- literatuur --- culturele antropologie --- persoonlijkheidsleer --- persoonlijkheidsontwikkeling --- Sophocles --- Narcissus [Mythological character] --- Dionysus [Mythological character] --- Demeter [Mythological character] --- Oedipus [Mythological character] --- Aeschylus --- Ibsen, Henrik --- Euripides --- O'Neill, Eugene --- Eno, Will --- Orestes [Mythologische figuur] --- Beckett, Samuel --- Shepard, Sam --- Pinter, Harold --- Mamet, David --- Norman, Marsha
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Kerouac Ascending: Memorabilia of the Decade of ON THE ROAD is a memoir written by Elbert Lenrow about his relationship with Jack Kerouac, whom he taught at the New School in NewYork when Jack was emerging as a writer and with Allen Ginsberg, both of whom Lenrow befriended and encouraged. Lenrow writes with sympathy and charm about both writers and their "beat" friends, revealing Kerouac's seriously academic side by sharing papers he wrote in his course and giving insight about both writers t...
Authors, American --- Beats (Persons) --- Beat generation --- Beatniks --- Persons --- Bohemianism --- Ginsberg, Allen, --- Kerouac, Jack, --- Lenrow, Elbert, --- Kerouac, Jack --- Kerouac, John --- Kérouac, Jean Louis Lebris de --- Chia-lo-kʻo, Chieh-kʻo --- Keruak, Dz︠h︡ek --- Ḳeruʼaḳ, G'eḳ --- קרואק, ג׳ק, --- Ginzberg, Alen, --- Gīnasabārga, Ayālena, --- Ginsberg, Irwin Allen, --- גינזברג, אלן --- Friends and associates.
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Drama --- Psychological study of literature --- anno 1800-1999
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Pinter, Harold --- Pinter, Harold, --- Criticism and interpretation --- Critique et interprétation
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