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Friedrich von Huene (1928- ) is arguably the most important manufacturer of historical woodwinds in the 20th century. Since he began making recorders in 1958, von Huene has exerted a strong influence on the craft of building woodwind instruments and on the study of instrument-making, as he has helped to shape the emerging field of Early Music performance practice. Recipient of lifetime achievement awards from the American Musical Instrumental Society, the National Flute Association, and Early Music America, he has remained at the forefront of research and design of historical copies of recorders, flutes, and oboes. In a compelling narrative that combines biography, cultural history, and technical organological enquiry, Geoffrey Burgess explores von Huene's impact on the craft of historical instrument-making and the role organology has played in the emergence of the Early Music movement in the post-war era.
Musical instruments --- Woodwind instruments --- Woodwind instrument makers --- Instruments, Musical --- Organology (Music) --- Instrumental music --- Double-reed instruments (Woodwinds) --- Double-reed woodwind instruments --- Double reeds (Woodwind instruments) --- Reed instruments (Woodwinds) --- Reeds (Woodwind instruments) --- Single-reed instruments (Woodwinds) --- Single-reed woodwind instruments --- Single reeds (Woodwind instruments) --- Wood-wind instruments --- Woodwinds --- Wind instruments --- Wind instrument makers --- Construction --- History --- History and criticism --- von Huene, Friedrich --- 518 --- Organologie --- 78.45.6.1 von Huene --- 78.45.1 --- Huene, Friedrich von, --- Von Huene, Friedrich,
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facsimile's --- methoden (muziek) --- muziektheorie --- traktaten --- hobomuziek --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Great Britain
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Vogt, Gustave --- Oboe players --- France --- Biography --- 78.45.6.2 --- Vogt, Gustave (+ foto's)
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What is rhetorical music? In The Pathetick Musician, Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, The Pathetick Musician is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, The Pathetick Musician is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.
Music --- Musique --- Philosophy and aesthetics --- Philosophy and aesthetics. --- Philosophie et esthétique --- Philosophie et esthétique --- Music - 17th century - Philosophy and aesthetics --- Music - 18th century - Philosophy and aesthetics --- Uitvoeringspraktijk --- Muziekfilosofie --- Muziekesthetica --- Barok
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