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"The Building of the National Museum of African American History and Culture traces the making of this unparalleled museum. Founding director Lonnie G. Bunch III described it as "ten years in the making, and 100 years in the making," and Mabel O. Wilson explores that effort in her narrative. As she discovers, initial calls for a permanent place to collect, study, and present African American history and culture in the early twentieth century never got off the ground. In the late 1990s, the notion began to gain momentum from increasing public interest and Congressional support. In 2003 the museum was officially established. Yet the work of the museum was only just beginning. Wilson takes an in-depth look at the selection of the director, site, and architects in the years that followed. Rising on the National Mall next to the Washington Monument, the museum is a tiered bronze beacon inviting us to understand our past and embrace our future. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the building and its surrounding landscape. This book is an important inside look at the making of a monument"
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In the American South, the civil rights movement in the 1960s and the struggle to abolish racial segregation erupted in dramatic scenes at lunch counters, in schools, and in churches. The admission of James Meredith as the first black student to enroll at the University of Mississippi; the march from Selma to Montgomery, Alabama; and the sanitation workers' strike in Memphis-where Martin Luther King was assassinated-rank as cardinal events in black Americans' fight for their civil rights. The photographs featured in I AM A MAN: Photographs of the Civil Rights Movement, 1960-1970 bear witness to the courage of protesters who faced unimaginable violence and brutality as well as the quiet determination of the elderly and the angry commitment of the young. Talented photographers documented that decade and captured both the bravery of civil rights workers and the violence they faced. Most notably, this book features the work of Bob Adelman, Dan Budnik, Doris Derby, Roland Freeman, Danny Lyon, Art Shay, and Ernest Withers. Like the fabled music and tales of the American South, their photographs document the region's past, its people, and the places that shaped their lives. Protesters in these photographs generated the mighty leverage that eventually transformed a segregated South. The years from 1960 to 1970 unleashed both hope and profound change as desegregation opened public spaces and African Americans secured their rights. The photographs in this volume reveal, as only great photography can, the pivotal moments that changed history, and yet remind us how far we have to go.
African Americans --- Civil rights movements --- Photograph collections --- Documentary photography --- Civil rights --- History --- Mississippi Civil Rights Museum
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African Americans in art. --- Painting, American --- Noirs américains dans l'art --- Peinture américaine --- Lawrence, Jacob, --- Criticism and interpretation.
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This collection includes 129 tracks on 9 CDs and a book with original design by Cey Adams, artist and founding creative director of Def Jam Recordings, as well as essays by some of hip-hop's leading writers and critics and hundreds of photographs spanning decades of history. Through the music, writing, and extensive liner notes, the Anthology reveals the many trends within this multifaceted genre, its social and political implications, and its influence on popular culture.
Rap (Music) --- Hip-hop --- African Americans --- Popular music --- Popular music --- Popular music --- Popular music --- Popular music
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