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The Other Women’s Lib provides the first systematic analysis of Japanese literary feminist discourse of the 1960's—a full decade before the "women’s lib" movement emerged in Japan. It highlights the work of three well-known female fiction writers of this generation (Kono Taeko, Takahashi Takako, and Kurahashi Yumiko) for their avant-garde literary challenges to dominant models of femininity. Focusing on four tropes persistently employed by these writers to protest oppressive gender stereotypes—the disciplinary masculine gaze, feminist misogyny, "odd bodies," and female homoeroticism—Julia Bullock brings to the fore their previously unrecognized theoretical contributions to second-wave radical feminist discourse. In all of these narrative strategies, the female body is viewed as both the object and instrument of engendering. Severing the discursive connection between bodily sex and gender is thus a primary objective of the narratives and a necessary first step toward a less restrictive vision of female subjectivity in modern Japan. The Other Women’s Lib further demonstrates that this "gender trouble" was historically embedded in the socioeconomic circumstances of the high-growth economy of the 1960's, when prosperity was underwritten by an increasingly conservative gendered division of labor that sought to confine women within feminine roles. Raised during the war to be "good wives and wise mothers" yet young enough to take advantage of the opportunities presented to them by Occupation-era reforms, the authors who fueled the 1960's boom in women’s literary publication staunchly resisted normative constructions of gender, crafting narratives that exposed or subverted hegemonic discourses of femininity that relegated women to the negative pole of a binary opposition to men. Their fictional heroines are unapologetically bad wives and even worse mothers; they are often wanton, excessive, or selfish and brazenly cynical with regard to traditional love, marriage, and motherhood. The Other Women’s Lib affords a cogent and incisive analysis of these texts as feminist philosophy in fictional form, arguing persuasively for the inclusion of such literary feminist discourse in the broader history of Japanese feminist theoretical development. It will be accessible to undergraduate audiences and deeply stimulating to scholars and others interested in gender and culture in postwar Japan, Japanese women writers, or Japanese feminism.
Japanese fiction --- Women in literature. --- Feminist literary criticism --- Gender identity in literature. --- Human body in literature. --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Body, Human, in literature --- Human figure in literature --- Literary criticism, Feminist --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism. --- Women authors --- Identity --- Feminism and literature --- Feminist criticism --- Japanese literature --- Identity. --- Females --- Human beings --- Femininity
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Developmental psychology --- Social problems --- Sociology of the family. Sociology of sexuality --- Human physiology --- Sexology --- Fiction --- Thematology --- Sociology of literature --- Feminism --- Gender --- Homosexuality --- Female homosexuality --- Body --- Literature --- Misogyny --- Literary criticism --- Writers --- Images of women --- Féminité --- Book --- Kono, Taeko --- Kurahashi, Yumiko --- Takahashi, Takako --- anno 1900-1999 --- Japan
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Feminist literary criticism --- Gender identity in literature --- Human body in literature --- Japanese fiction --- Women in literature --- Women --- Women authors --- History and criticism --- Identity
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'Rethinking Japanese Feminisms'' offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women's history, this book offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. It will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.
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Feminism --- Queer --- Artists --- Female homosexuality --- Literature --- Motherhood --- Labour --- Education --- Women's suffrage --- Book --- anno 1900-1999 --- anno 2000-2099 --- Japan
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This collection offers insights into the transnational and translingual implications of Simone de Beauvoir's Le Deuxième Sexe (The Second Sex), a text that has served as foundational for feminisms worldwide since its publication in 1949.
Theory of literary translation --- Beauvoir, de, Simone --- Women.
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''Rethinking Japanese Feminisms'' offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women's history, this book offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. It will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.
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''Rethinking Japanese Feminisms'' offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women's history, this book offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. It will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.
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''Rethinking Japanese Feminisms'' offers a broad overview of the great diversity of feminist thought and practice in Japan from the early twentieth century to the present. Drawing on methodologies and approaches from anthropology, cultural studies, gender and sexuality studies, history, literature, media studies, and sociology, each chapter presents the results of research based on some combination of original archival research, careful textual analysis, ethnographic interviews, and participant observation. Building on more than four decades of scholarship on feminisms in Japanese and English, as well as decades more on women's history, this book offers a diverse and multivocal approach to scholarship on Japanese feminisms unmatched by existing publications. It will be at home in the hands of students and scholars, as well as activists and others interested in gender, sexuality, and feminist theory and activism in Japan and in Asia more broadly.
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This collection offers insights into the transnational and translingual implications of Simone de Beauvoir's Le Deuxième Sexe (The Second Sex), a text that has served as foundational for feminisms worldwide since its publication in 1949.
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