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This book challenges existing notions of an idiosyncratic 'Celtic Rite' through a multidisciplinary, European perspective. This book opens up discussion on the liturgical music of medieval Ireland by approaching it from a multidisciplinary, European perspective. In so doing, it challenges received notions of an idiosyncratic ‘Celtic Rite’, and of the prevailing view that no manuscripts with music notation have survived from the medieval Irish Church. This is due largely to a preoccupation by earlier scholars with pre-Norman Gaelic culture, to the neglect of wider networks of engagement between Ireland, Britain, and continental Europe. In adopting a more inclusive approach, a different view emerges which demonstrates the diversity and international connectedness of Irish ecclesiastical culture throughout the long Middle Ages, in both musico-liturgical and other respects. The contributors represent a variety of specialisms, including musicology, liturgiology, palaeography, hagiology, theology, church history, Celtic studies, French studies, and Latin. From this rich range of perspectives they investigate the evidence for Irish musical and liturgical practices from the earliest surviving sources with chant texts to later manuscripts with music notation, as well as exploring the far-reaching cultural impact of the Irish church in medieval Europe through case studies of liturgical offices in honour of Irish saints, and of saints traditionally associated with Ireland in different parts of Europe.
Sacred vocal music --- Veneration of saints and Christian union --- History and criticism. --- History --- Music --- Christian special devotions --- Liturgy --- Christian church history --- History of civilization --- anno 500-1499 --- Ireland --- Europe --- Musique vocale sacrée --- Musique vocale sacrée --- Church music --- Church music. --- Veneration of saints and Christian union. --- To 1500. --- Europe. --- Ireland. --- 091:235 --- 091 <417> --- 091:264-1 --- 091:78 --- 091:264-1 Liturgische boeken--(handschriften) --- Liturgische boeken--(handschriften) --- Handschriftenkunde. Handschriftencatalogi-:-Engelen. Demonen. Heiligen --- Handschriftenkunde. Handschriftencatalogi--Republiek Ierland --- Handschriften i.v.m. muziek --- 091:78 Handschriften i.v.m. muziek --- 091 <417> Handschriftenkunde. Handschriftencatalogi--Republiek Ierland --- 091:235 Handschriftenkunde. Handschriftencatalogi-:-Engelen. Demonen. Heiligen --- Church --- History of doctrines --- Middle Ages, 600-1500 --- History and criticism --- Saints --- Cult --- To 1500 --- Middle Ages, 500-1500 --- Irlande --- Liturgie --- Office des saints
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From music written in praise of Irish, Scottish, Welsh, and English saints to the selection of Gospel readings by the Dominicans, this book introduces readers to the richness of medieval liturgical culture from across Britain and Ireland. Each of its three main sections opens with a chapter that offers a contextual frame for its key themes. With contributions from leading experts in pre-Reformation music and its sources, the book's focus on Insular liturgy - rather than that of only one part of Britain or Ireland - allows readers to learn about the devotional, political and creative networks at play in shaping liturgical practices: personal, secular, monastic, lay, and professional. The opening part includes broader discussions of Uses, including that of Salisbury, and case studies explore Insular witnesses to devotional activities in honour of both local cults and widely known figures, including St Columba, St Margaret, St Katherine, and the Magi.
Gregorian chants --- Church music --- History and criticism. --- Catholic Church --- Liturgy --- History --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Chant (Plain, Gregorian, etc.) --- Chants (Plain, Gregorian, etc.) --- Franco-Roman chants --- Gregorian chant --- Old Roman chants --- Plainchant --- Plainchants --- Plainsong --- Roman chants --- Chants --- History and criticism --- Religious aspects --- Christianity --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교
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From music written in praise of Irish, Scottish, Welsh, and English saints to the selection of Gospel readings by the Dominicans, this book introduces readers to the richness of medieval liturgical culture from across Britain and Ireland. Each of its three main sections opens with a chapter that offers a contextual frame for its key themes. With contributions from leading experts in pre-Reformation music and its sources, the book's focus on Insular liturgy - rather than that of only one part of Britain or Ireland - allows readers to learn about the devotional, political and creative networks at play in shaping liturgical practices: personal, secular, monastic, lay, and professional. The opening part includes broader discussions of Uses, including that of Salisbury, and case studies explore Insular witnesses to devotional activities in honour of both local cults and widely known figures, including St Columba, St Margaret, St Katherine, and the Magi
Angleterre --- Irlande --- Liturgie --- Moyen Age --- Gregorian chants --- Church music --- History and criticism. --- Catholic Church --- Liturgy --- History
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Christian religion --- Great Britain --- Ireland
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