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Art --- installations [visual works] --- art [discipline] --- Burr, Tom --- anno 1900-1999 --- anno 2000-2099 --- United States of America
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Art --- Contemporary [style of art] --- Conceptual --- hedendaagse kunst --- conceptuele kunst --- anno 1900-1999 --- anno 2000-2009
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Well-known art historians from Europe and the Americas discuss the influence of conceptualism on different notions of critique - identity politics, biopolitics, and globalization. The legacies of conceptualism include the several different notions of critique it engendered. This collection of essays by art historians from Europe and the Americas considers the reception of conceptual art as seen in the sometimes contentious, sometimes contradictory, and sometimes affirmative modes of critique it inspired. The essays pursue three lines of investigation into the reception of conceptual art over the past three decades: forms of identity politics, including not only class, gender, race, and sexuality but also North/South and East/West dynamics; discourses that contextualize conceptual art practices in terms of Michel Foucault's and Giorgio Agamben's ideas of biopolitics; and issues of "global conceptualism," including artistic inclusion and exclusion and conceptualism's relation to globalization. Topics discussed include Central Eastern European postconceptualism; the notion of labor in the art practices of Bernadette Corporation, Mathias Poledna, and others; the mutual influence of the "Pictures" generation of postconceptualists in the United States and "Second Order" painters in Germany; feminism in the work of Judy Chicago, Mary Kelly, Martha Rosler, and others in the 1970s and 1980s; and queer politics within postconceptual practices, including the "kitsch factor" and anti-intellectualism sometimes found in works by such artists as Nayland Blake and Ray Johnson.
Conceptual art. --- Conceptual art --- Influence. --- kunst --- kunsttheorie --- esthetica --- conceptuele kunst --- receptie-esthetica --- concept art --- twintigste eeuw --- gender studies --- globalisering --- 7.01 --- 7.038 --- 7.01 "19" --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Influence --- Conceptual art - Influence.
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Interactive art --- Multimedia (Art) --- Installations (Art) --- Oiticica, Hélio, --- Criticism and interpretation. --- kunst --- twintigste eeuw --- Brazilië --- film --- kunst en film --- Oiticica Hélio --- D'Almeida Neville --- installaties --- 7.071 D'ALMEIDA --- 791.471 D'ALMEIDA --- 7.071 OITICICA --- Multi media (Art) --- Arts --- Participatory art --- Performance art --- Social practice (Art) --- Installation art --- Art, Modern --- Environment (Art) --- Oiticica, Hélio, --- Almeida, Neville d'.
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Conceptual art --- Installations (Art) --- Multimedia (Art) --- Multi media (Art) --- Arts --- Installation art --- Art, Modern --- Environment (Art) --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Almeida, Neville d' --- Oiticica, Helio, --- Oiticica, Hélio, --- D' Almeida, Neville --- De Almeida, Neville --- Criticism and interpretation.
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Sunah Choi (b. Busan, Korea, 1968; lives and works in Berlin) is interested in processes of abstraction as applied to concrete moments in time, places, and phenomena. Her sculptures, installations, and photographs probe the substance and formal structure of objects. By resolving observations into compositions and arrangements or condensing them in sculptures, she explores the aesthetic quality of selected aspects of nature and vernacular culture. Choi received the Hannah-Höch-Förderpreis in 2018, an award given out by the State of Berlin to a rising local female artist in recognition of her growing oeuvre’s outstanding quality. This book, which contains three multipage inserts, presents a richly illustrated survey of Choi’s work of the past ten years, accompanied by a conversation between Sunah Choi, Thomas Bayrle, and Markus Weisbeck. With essays by Sabeth Buchmann and Andreas Schlaegel.
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Baldessari, John ; Bayer, Konrad ; Broodthaers, Marcel ; Bujnowski, Rafal ; Caramelle, Ernst ; Clegg & Guttmann ; Dunst, Heinrich ; Ganahl, Rainer ; Gansterer, Nikolaus ; Lawler, Louise ; Mancuska, Jan ; Marclay, Christian ; Riedel, Michael S. ; Schmatz, Ferdinand ; Tscherkassky, Peter ; Tuerlinckx, Joëlle ; Zaugg, Rémy
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